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	<title>Lauri Shaw &#187; Servicing the Pole</title>
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		<title>THIRTY-SEVEN</title>
		<link>http://www.laurishaw.com/thirty-seven/</link>
		<comments>http://www.laurishaw.com/thirty-seven/#comments</comments>
		<pubDate>Mon, 18 May 2009 15:00:24 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=744</guid>
		<description><![CDATA[It takes a few tries before I can get her onto her  feet. Sharon&#8217;s not fat, however,  she&#8217;s broad. And she&#8217;s much heavier than I am. She slumps, but she walks along  clinging to me until we get to the middle of the staircase that leads to the main floor. Then she sits down at the landing.</p><p>
  I groan. &#8220;Come on, Sharon,  don&#8217;t do this to me!&#8221; I whisper fiercely. &#8220;Joy will fire us both!&#8221;</p><p>
  Her eyes are pinned, and she&#8217;s grinning from ear to ear. I&#8217;m  not sure she&#8217;s even heard me.</p><p>]]></description>
			<content:encoded><![CDATA[<p>Two nights before Christmas, our party consists of a giant  punchbowl in the dressing room and no tree. The club will be open for the  holiday. Lucille&rsquo;s stays open three hundred and sixty-five days a year. I&rsquo;m  glad I got out of working that night, but I hope I can find something to do  instead. I don&rsquo;t want to spend Christmas alone.</p>
<p>
  It&rsquo;s the middle of the shift. I&rsquo;m slightly tipsy. I&rsquo;ve just  done several table dances and been in the champagne room. Arlo, the  cokehead floor manager, now knows to stay clear of me while I&rsquo;m pitching customers. I&rsquo;ve been having more success without his &ldquo;help&rdquo; than I had while he was butting in. Things are going well. I&rsquo;m making money  tonight. I decide to grab another cup of punch to celebrate my success.</p>
<p>
  Sharon is on her knees on the floor of the dressing room, still wearing her street clothes. I still don&rsquo;t know her well, so it takes a few moments before I realize she&rsquo;s totally intoxicated. Her ass crack is hanging out of her  pants. She giggles and slurs while her eyes light on nothing in particular and then flit to something else just as quickly. A couple of the girls snicker behind their hands at her, but otherwise, nobody&rsquo;s paying attention.</p>
<p>
  &ldquo;Honey, what&rsquo;s up with you?&rdquo; I ask. My gown rides up my legs  as I sit next to her on the floor. &ldquo;How you feeling?&rdquo;</p>
<p>
  &ldquo;Hee,&rdquo; she laughs.</p>
<p>
  &ldquo;Yeah, that good, huh? Speak to me. Say something I can  understand.&rdquo;</p>
<p>
  &ldquo;You godda purdy mouth,&rdquo; she garbles. Then she cracks up for  about a minute and a half. I watch her carefully.</p>
<p>
  Joy, the club&rsquo;s owner, is on hand tonight. She&rsquo;s a Dominican  woman of dubious stability who used to be a dancer herself, quite a long time  ago. Many of the girls are afraid of her because they say she can be extremely  vindictive. I rarely deal with her at all, preferring to stay off the radar of  anyone who has that sort of reputation.</p>
<p>
  Now Joy enters the dressing room, takes one look at Sharon,  and says, &ldquo;Oh, hell no. She got to go home. Somebody got to put her in a cab.  She can&rsquo;t work like that.&rdquo;</p>
<p>
  &ldquo;I&rsquo;ll take her down there,&rdquo; I say hastily, because it&#8217;s clear no else here gives a shit.</p>
<p>
  &ldquo;You got this?&rdquo; Joy looks my way, noticing me for the  first time. Her eyes are predatory.</p>
<p>
  I nod my assent and change into my street clothes as quickly  as I can. Some of the other girls have begun to congregate around Sharon.  Their jeers are growing louder. In her current state, she doesn&rsquo;t know the  difference. Still, I&rsquo;m embarrassed for her. I want to get her out of here  sooner rather than later.</p>
<p>
  Just as I&rsquo;m getting my shoes on, Sharon  farts loudly. &ldquo;Ha, ha, ha! I pooted!&rdquo; she announces.</p>
<p>
  &ldquo;Aw, <em>nasty</em>!&rdquo;</p>
<p>
  &ldquo;Get that stank bitch outta here!&rdquo;</p>
<p>
  &ldquo;Day-um!&rdquo;</p>
<p>
  I glare at the girls as they back away. Then I turn around  again to face Sharon.</p>
<p>
  &ldquo;Come on, honey. Up,&rdquo; I tell her reassuringly. I reach for  her hand.</p>
<p>
  It takes a few tries before I can get her onto her  feet. Sharon&rsquo;s not fat, however,  she&rsquo;s broad. And she&rsquo;s much heavier than I am. She slumps, but she walks along  clinging to me until we get to the middle of the staircase that leads to the main floor. Then she sits down at the landing.</p>
<p>
  I groan. &ldquo;Come on, Sharon,  don&rsquo;t do this to me!&rdquo; I whisper fiercely. &ldquo;Joy will fire us both!&rdquo;</p>
<p>
  Her eyes are pinned, and she&rsquo;s grinning from ear to ear. I&rsquo;m  not sure she&rsquo;s even heard me.</p>
<p>
  &ldquo;Jesus, Sharon,  what the fuck did you take, anyway?&rdquo; It&rsquo;s sort of a rhetorical question at this  point.</p>
<p>
  She gets up again and begins walking of her own accord. We  make it to the elevator, where she curls up in a corner and starts to nod.</p>
<p>
  At the ground floor, I enlist Buddy&rsquo;s help. He leaves his  post to collect Sharon from the  elevator.</p>
<p>
  &ldquo;Come on, girlie-girl,&rdquo; he says, letting her lean on him.  &ldquo;Let&rsquo;s get you a cab.&rdquo;</p>
<p>
  He&rsquo;s able to flag one down easily. But first Sharon  won&rsquo;t sit down in the backseat, and then she can&rsquo;t speak coherently enough to  tell the cab driver where she lives. The driver looks at her in disgust and  speeds away.</p>
<p>
  &ldquo;Okay, very well. Maybe she can walk it off,&rdquo; Buddy says.</p>
<p>
  Each of us takes an arm. We start to walk down the street  with Sharon between us. It&rsquo;s  bitterly cold out here. I barely feel it. </p>
<p>
  &ldquo;Damn, that bitch is to&rsquo; up,&rdquo; I hear a pedestrian in a  hoodie saying to his companion as they pass by us on the sidewalk. &ldquo;She <em>done</em>.&rdquo; </p>
<p>
  &ldquo;Buddy, this is bullshit. I&rsquo;m driving her home,&rdquo; I say.</p>
<p>
  &ldquo;Joy&rsquo;s gonna let you do that?&rdquo; he wants to know.</p>
<p>
  &ldquo;Joy doesn&rsquo;t have a choice,&rdquo; I retort.</p>
<p>
  We bring Sharon  back into the club&rsquo;s vestibule, and I take the ride upstairs in the elevator to  talk to Ritchie, who is the club&rsquo;s general manager.</p>
<p>
  &ldquo;Absolutely not. I don&rsquo;t have enough girls. I can&rsquo;t let you  leave in the middle of a shift,&rdquo; Ritchie scoffs. &ldquo;There are plenty of cabs out  tonight.&rdquo;</p>
<p>
  &ldquo;She&rsquo;s in no condition to be in a cab by herself,&rdquo; I say.  &ldquo;She could wind up anywhere.&rdquo;</p>
<p>
  &ldquo;Well, she shouldn&rsquo;ta come to work all messed up, then,&rdquo;  Ritchie says.</p>
<p>
  &ldquo;You know what?&rdquo; I&rsquo;m getting pretty heated listening to his  self-righteous crap. &ldquo;Give me any fine you think you need to give me. Hell,  fire me if that&rsquo;s what you want to do. This isn&rsquo;t up for discussion. That girl  is not safe by herself, and I am driving her home. Now, I can be back here in  an hour, or not at all. Your choice.&rdquo;</p>
<p>
  Joy emerges from somewhere and catches the end of my speech.  &ldquo;What now?&rdquo; she asks.</p>
<p>
  &ldquo;This one wants to drive the stoney girl home,&rdquo; Ritchie  explains, pointing at me.</p>
<p>
  Joy fixes that serpentine gaze on me again. &ldquo;You know where  she living?&rdquo;</p>
<p>
  I nod.</p>
<p>
  &ldquo;How long it take to get there?&rdquo;</p>
<p>
  &ldquo;I can be back in an hour,&rdquo; I reply.</p>
<p>
  Joy waves her hand in the direction of the door. &ldquo;Do whatchu  got to do.&rdquo;</p>
<p>
  Ritchie looks cowed. &ldquo;I&rsquo;m short two girls now, not one,&rdquo; he  complains.</p>
<p>
  &ldquo;This one be back in an hour,&rdquo; Joy says. &ldquo;Right?&rdquo;</p>
<p>
  &ldquo;Right,&rdquo; I say.</p>
<p>
  I turn and leave, stopping to collect Sharon, who has passed  out completely. Buddy helps me lift her into the car. She&rsquo;s like a giant sack  of potatoes &ndash; dead weight.</p>
<p>
  The drive up to Sharon&rsquo;s  house is an ordeal. Her head falls on my shoulder. It&rsquo;s so heavy that my arm and neck both feel strained. But I don&rsquo;t want to push her head off me because there&rsquo;s  nothing else supporting it. So I drive this way for a few miles, feeling a new  twinge of dull pain every time the car hurtles over another pothole. Finally, I turn onto her street and pull up in front of the building.</p>
<p>
  I ease Sharon&rsquo;s  head gently off my shoulder, and allow her to crumple in the passenger seat.  Then I ring the bell I know is hers.</p>
<p>
  &ldquo;Who is it?&rdquo; Willy says through the intercom.</p>
<p>
  &ldquo;I&rsquo;ve got Sharon  here. Can you come outside?&rdquo; I pant.</p>
<p>
  When he opens the front door, he looks angrily past me and over at her.  This is not how I expected him to greet us. </p>
<p>
  &ldquo;Oh, that&rsquo;s just fuckin&rsquo; great. Now we&rsquo;re gonna be sick,&rdquo; he  says.</p>
<p>
  He picks her up and carries her into the building without  offering me so much as a &ldquo;thank you.&rdquo;</p>
<p>
  I grit my teeth and get back behind the wheel.</p>
<hr />
<p>In the end, it takes over an hour to complete the journey  back and forth. I run upstairs to the dressing room as fast as I can, so Joy and Ritchie can see that I didn&rsquo;t take any liberties with the time.</p>
<p>
  Trying to make any more money tonight is useless. I do a few dances and I pull a bit of stage cash. But I&#8217;ve missed the better part of the shift. And from what I can see from the cashier&rsquo;s log, I&rsquo;ve missed a good night.</p>
<p>
  I cash out at a hundred and fifty bucks, worn out and ready to skip dinner so I can get home and into bed faster. When I get to the club&rsquo;s front door, I almost fall over in shock.</p>
<p>
  Sharon and Willy are outside the club. She&rsquo;s wide awake now and looks damned close to sober. As soon as she sees me, she rushes up and wraps an arm around my neck.</p>
<p>
  &ldquo;Please let me borrow sixty bucks,&rdquo; she says. &ldquo;I swear  I&rsquo;ll get it back to you.&rdquo;</p>
<p>
  &ldquo;Sharon, I  didn&rsquo;t make money,&rdquo; I tell her.</p>
<p>
  &ldquo;Please?&rdquo; she begs. &ldquo;We&rsquo;re both really sick.&rdquo;</p>
<p>
  She&#8217;s serious. I can&#8217;t believe this.</p>
<p>
  &ldquo;You know I&rsquo;m good for it. I&rsquo;m working tomorrow. Are you  working?&rdquo;</p>
<p>
  &ldquo;No,&rdquo; I say.</p>
<p>
  &ldquo;Then I&rsquo;ll come to your house with it after work. Just for  tonight.&rdquo;</p>
<p>
  I sigh and reach into my pants pocket. I made decent money  all week before this, so it&rsquo;s not a giant loss for me. I can already tell she won&rsquo;t leave me alone until I give her what she wants.</p>
<p>
  &ldquo;Forget it,&rdquo; I say. &ldquo;Get it back to me when you&#8217;ve got it.&rdquo;</p>
<p>
  &ldquo;Are you sure?&rdquo; Sharon  wheedles, already pocketing the cash.</p>
<p>
  Fuck it. Nothing matters these days anymore, not really. Sixty bucks out of a hundred and fifty just essentially means that this night never happened.</p>
<p>
  I offer a sardonic little half smile. &ldquo;Don&rsquo;t worry about it.  It&rsquo;s not like I don&rsquo;t know where you live.&rdquo;</p>
<p>* * *</p>
<p>
<p><em>There are 14 more chapters in Servicing the Pole. If you&#8217;d like to read the final chapters, please email </em><b>lauri AT laurishaw DOT com</b><em>. I will send you a PDF of the whole book. Thanks again for reading my work!</em?</p></p>
]]></content:encoded>
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		<title>THIRTY-SIX</title>
		<link>http://www.laurishaw.com/thirty-six/</link>
		<comments>http://www.laurishaw.com/thirty-six/#comments</comments>
		<pubDate>Mon, 11 May 2009 15:00:22 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=742</guid>
		<description><![CDATA[&#8220;This is my least favorite time of  year. It&#8217;s not like you can make a snow angel in Manhattan.&#8221;</p><p>
  &#8220;Central Park,&#8221; Sharon  says brightly as she gets into the car.</p><p>
  &#8220;Oh, hell, honey, don&#8217;t tell me you&#8217;re one of those Pollyanna  Silver Lining types.&#8221;</p><p>
  Sharon tosses  her coat into the backseat of the car and puts on her seatbelt. Out of the  corner of my eye, I catch her expression. One eyebrow is raised, and she&#8217;s  smirking.</p><p>
  &#8220;Not even close,&#8221; she says, peeling off her gloves.</p><p>
  Her track marks aren&#8217;t the worst I&#8217;ve ever seen. In fact  they&#8217;re pretty faint. She looks at me as if she expects me to be shocked.</p><p>]]></description>
			<content:encoded><![CDATA[<p>Same night, different club. Or is it same club, different night? All these places are alike. I&#8217;m listening to bad music muffled by a worse P.A. and trying to convert time into money. I&rsquo;ve lost count of how many auditions I went on after leaving Angels. It&#8217;s just finally come down to needing a source of income. So here I am.</p>
<p>
  There&rsquo;s not much action yet. It&rsquo;s the same old story &#8211; I&rsquo;ve tried every guy in the room. They&rsquo;re each going dollar for dollar at the  stage. This place doesn&rsquo;t see nearly as much traffic as Angels does. Still,  I&rsquo;ve worked at Lucille&rsquo;s for about a week now and it&rsquo;s tolerable. On average,  I&rsquo;m going home with about three hundred a night. Which isn&rsquo;t great for a nude club, but it&rsquo;ll keep me from starving.</p>
<p>
  I light a second cigarette off the butt I&rsquo;m smoking. I eye the stage. It&rsquo;s a nice one, I have to admit that. You&rsquo;d never think so from the street level, where a doorman stands under an awning and ushers men into a dark elevator. But the crowd&#8217;s so thin. I&#8217;ll bet that elevator is a deal-breaker for plenty of marks, who are horrified thinking about what urban legend might be waiting for them here on the fourth floor. I know I would be. </p>
<p>
  Once they&rsquo;re in, though, the front room opens up into a low-lit  ballroom. The shiny, massive stage contains three long poles. There&rsquo;s fake  shrubbery behind some of the tables. The whole place looks almost elegant.</p>
<p>
  On my first day at work, I was warned about the cameras that  monitor the private rooms, forcing everyone&rsquo;s game on to the same level &#8211; no extras, no exceptions. Sam the bouncer is huge and friendly. I feel safer here than I  did in any other club.</p>
<p>
  My eyes light on the girl who is crawling the length of the grand wooden stage. She manages to stop me in my tracks without even catching my eye, because I think maybe I know her.</p>
<p>
  The hair is different &ndash; this girl&#8217;s got hers done like Marilyn  Monroe. I&rsquo;m not close enough to see much more. She pulls her dress  down, revealing a pair of large, fake breasts that I am positive my old friend  didn&rsquo;t have. But anything can change in a couple of years. And in my  experience, it usually does.</p>
<p>
  The girl onstage notices my reaction to her. She waves to  me. I squint and try to figure out whether that girl I knew in what seems like another lifetime would have found her way into a place like this. I&rsquo;m not sure how I feel about it if she has.</p>
<p>
  I&rsquo;m also not sure why I care. My life before strip clubs may  as well not exist. If that&#8217;s the person I think it is, a conversation will be  awkward. How can I explain my presence here? Do I have any right to ask about hers?</p>
<p>
  I continue to stare despite myself. Maybe I&rsquo;m just  lonely. There are Christmas displays in every store window now. The holiday season seems geared towards reminding people like me that we <em>are</em> the less fortunate.</p>
<p>
  Barry has stayed  gone this time. I haven&rsquo;t seen the sun in over a month. Sean&rsquo;s away at school, and I think he&rsquo;s still pretty upset with  me. My social circle was limited to begin with. Now it&rsquo;s nonexistent. I work, I  go home, I get high, and I pass out. Rinse and repeat. When I don&rsquo;t work, I curl  up in front of the TV and watch movies on HBO. Often they&rsquo;re the same movies,  over and over again.</p>
<p>
  I didn&rsquo;t notice when the Marilyn Monroe girl got dressed and  left the stage. But now she plunks down in the chair next to me, smiling.</p>
<p>
  &ldquo;I saw you watching me dance,&rdquo; she says.</p>
<p>
  &ldquo;Oh, yeah, I was. I&rsquo;m sorry,&rdquo; I say as I get a good look at  her close up for the first time. I was mistaken. I&rsquo;ve never seen her before. &ldquo;I  thought you were somebody else.&rdquo;</p>
<p>
  &ldquo;I <em>am</em> somebody  else,&rdquo; she quips. &ldquo;So are you.&rdquo;</p>
<p>
  I laugh with her, relieved that she isn&rsquo;t who I thought she  was. &ldquo;Fair enough.&rdquo;</p>
<p>
  &ldquo;How long have you worked here?&rdquo; she asks.</p>
<p>
  &ldquo;About a week,&rdquo; I reply.</p>
<p>
  &ldquo;Like it?&rdquo;</p>
<p>
  &ldquo;Heh. Um. S&rsquo;okay.&rdquo;</p>
<p>
  &ldquo;It gets better,&rdquo; she assures me. &ldquo;I&rsquo;ve made eight hundred  in one night a few times.&rdquo;</p>
<p>
  &ldquo;Ever break a G?&rdquo; I ask.</p>
<p>
  &ldquo;Not in this club,&rdquo; she admits.</p>
<p>
  I shrug. &ldquo;It&rsquo;s not as bad as the new place on the West Side  Highway.&rdquo;</p>
<p>
  A fairly attractive, forty-ish mark wearing a suit and shiny black shoes wanders up to us and then he just stands there, beaming. We both smile  politely. But she&rsquo;s the one he&rsquo;s looking at.</p>
<p>
  &ldquo;You&rsquo;re gorgeous,&rdquo; he pants. &ldquo;What&rsquo;s your name?&rdquo;</p>
<p>
  &ldquo;I&rsquo;m Kelly,&rdquo; she says, extending her hand. She&rsquo;s wearing  long, white opera gloves that go nicely with her blue, satin gown. &ldquo;And who are  you, doll?&rdquo;</p>
<p>
  The mark takes her hand. &ldquo;Kelly, will you dance for me?&rdquo;</p>
<p>
  &ldquo;Certainly,&rdquo; she says. She winks at me and gets out  of her seat, wrapping an arm around the mark&rsquo;s shoulder and holding her body  close to his. In her stilettos, she dwarfs him as they walk off together toward the dance room. She&rsquo;s got to be six feet tall in those things.</p>
<p>
  I hear my stage name over the P.A. I try to look happy &#8211; or at least, not look miserable &#8211; as I climb onstage.</p>
<p>
  These poles are three times the size of the ones at Angels, and I&rsquo;m almost intimidated by their sheer length. I climb to the ceiling and then flip backwards to hang upside down.</p>
<p>
  I strain to stay in position. Blood rushes to my head. No  one is watching me.</p>
<hr />
<p>At the end of the night, the Monroe  girl glides into the dressing room and parks herself behind me as I pull my street  clothes out of my locker.</p>
<p>
  &ldquo;What&rsquo;re you doing now?&rdquo; she wants to know.</p>
<p>
  &ldquo;I dunno&#8230; a diner, then bed?&rdquo; I say, surprised.</p>
<p>
  &ldquo;Wanna hang out?&rdquo;</p>
<p>
  &ldquo;Where?&rdquo;</p>
<p>
  &ldquo;My place. Come meet my boyfriend, Willy. He used to DJ  here, and he&rsquo;s really cool. I don&rsquo;t meet a lot of girls that I like very much. You have a certain&hellip;&rdquo; She cocks her head to one side, studying me. &ldquo;I  want to say <em>panache</em>, and I don&rsquo;t know  what that sounds like to you.&rdquo;</p>
<p>
  &ldquo;Well, I don&rsquo;t have to work tomorrow,&rdquo; I say. I don&rsquo;t  know why, but I like this girl. </p>
<p>
  &ldquo;Then you&rsquo;ll come visit us,&rdquo; she says, linking arms with me. </p>
<p>
  She&rsquo;s a charming broad. It&rsquo;s impossible for me to say no. Besides, what else have I got going on? An empty house and an empty bed.</p>
<p>
  &ldquo;I&rsquo;m Sharon,&rdquo;  she adds. She thrusts her body into a tight pair of jeans, and throws on a fake fur coat right over the opera gloves.</p>
<p>
  &ldquo;I heard you say your name was Kelly,&rdquo; I remark. &ldquo;Sharon&rsquo;s  your real name?&rdquo;</p>
<p>
  &ldquo;They&rsquo;re both my real names, honey,&rdquo; she responds. &ldquo;Kelly&rsquo;s  my last name. Sharon Kelly.&rdquo; She bows low. &ldquo;At your service.&rdquo;</p>
<p>
  We walk out of the dressing room together and towards the  elevator.</p>
<p>
  &ldquo;I&rsquo;ll pay for the cab. I made money tonight,&rdquo; Sharon  offers.</p>
<p>
  &ldquo;That&rsquo;s okay. I have my car.&rdquo;</p>
<p>
  The elevator is packed. I hope I&rsquo;m only imagining that I  can hear it strain and creak on its pulley. It takes forever before it delivers  us to the ground floor and relative safety.</p>
<p>
  &ldquo;Good night, Buddy,&rdquo; Sharon  says to the doorman. </p>
<p>
  I nod to him also. He smiles at us. I&rsquo;ve never really  looked at him. Now I notice he&rsquo;s missing a few teeth. He&rsquo;s probably  lost as many as Barry has. <em>Must be in  style this year</em>. I cringe.</p>
<p>
  &ldquo;My car&rsquo;s this way,&rdquo; I say. We step over sheets of ice on  the uneven sidewalk, and the wind nearly pushes us over. </p>
<p>
  &ldquo;I hope it snows for Christmas,&rdquo; Sharon  says. </p>
<p>
  &ldquo;Why fuckin&rsquo; not? It&rsquo;s snowed almost every day since  Thanksgiving,&rdquo; I grumble.</p>
<p>
  &ldquo;You don&rsquo;t like snow? I love it. I think it&rsquo;s pretty.&rdquo;</p>
<p>
  &ldquo;I think it&rsquo;s annoying,&rdquo; I say, opening the car door and  gasping a little at how cold the handle is. &ldquo;This is my least favorite time of  year. It&rsquo;s not like you can make a snow angel in Manhattan.&rdquo;</p>
<p>
  &ldquo;Central Park,&rdquo; Sharon  says brightly as she gets into the car.</p>
<p>
  &ldquo;Oh, hell, honey, don&rsquo;t tell me you&rsquo;re one of those Pollyanna  Silver Lining types.&rdquo;</p>
<p>
  Sharon tosses  her coat into the backseat of the car and puts on her seatbelt. Out of the  corner of my eye, I catch her expression. One eyebrow is raised, and she&rsquo;s  smirking.</p>
<p>
  &ldquo;Not even close,&rdquo; she says, peeling off her gloves.</p>
<p>
  Her track marks aren&rsquo;t the worst I&rsquo;ve ever seen. In fact  they&rsquo;re pretty faint. She looks at me as if she expects me to be shocked.</p>
<p>
  I nod, and start the car. <em>Another junkie. Big deal.</em> &ldquo;Okay. So where do you live?&rdquo;</p>
<p>
  &ldquo;Spanish Harlem,&rdquo; Sharon replies. &ldquo;Drive all the way up Park   Avenue. I&rsquo;ll show you where to turn.&rdquo;</p>
<p>
  I flip a knob, and the Damned comes blasting out through my  speakers. I turn it down to a more acceptable level. &ldquo;This okay with you?&rdquo;</p>
<p>
  &ldquo;Oh, cool, I love all kinds of music,&rdquo; she breathes.</p>
<p>
  Crosstown traffic is easy at this hour. I adore driving  through Manhattan at four-thirty A.M., before anyone&rsquo;s awake, when it still feels like  nighttime. There&rsquo;s a certain peace to it. Especially once we get to Park  Avenue, where I turn the radio off so I can listen to the neighbourhood&#8217;s slumbering silence.</p>
<p>
  &ldquo;We just have to make a quick stop once we get across the  street from my house,&rdquo; Sharon says. &ldquo;I didn&rsquo;t procure my evening&rsquo;s entertainment before work.&rdquo;</p>
<p>
  I give her a sidelong look. &ldquo;Are they out this late? Or  early, I guess.&rdquo;</p>
<p>
  &ldquo;Yeah, actually, this is the best time,&rdquo; she says. &ldquo;It&rsquo;s  harder during the day. You wait in the car, huh? They know me. Better they  don&rsquo;t see your face. You probably look like five-oh to them.&rdquo;</p>
<p>
  &ldquo;<em>I</em> look like a  cop?&rdquo; That&rsquo;s actually pretty funny.</p>
<p>
  &ldquo;Well, you know. Not to me, but to these guys maybe. You&rsquo;re  cute and skinny and white.&rdquo;</p>
<p>
  &ldquo;How do you get  away with it then?&rdquo;</p>
<p>
  &ldquo;Before they knew me, I used to send Willy. He&rsquo;s Mexican.&rdquo;</p>
<p>
  &ldquo;Yeah? Your boyfriend&rsquo;s from Mexico?&rdquo;</p>
<p>
  &ldquo;No. He&rsquo;s from New Jersey.&rdquo;</p>
<p>
  Park Avenue narrows dramatically and divides as we get farther uptown. The car bounces over potholes and other giant blemishes in the pavement. Within a few blocks, the whole neighborhood has  changed. </p>
<p>
  &ldquo;Okay, make a right,&rdquo; Sharon  says, sitting up. &ldquo;Yeah. Here&rsquo;s my place. Park in front of it.&rdquo;</p>
<p>
  I parallel park next to a grimy sidewalk in front of an old,  dark brick building that looks as if it should be condemned. </p>
<p>
  &ldquo;I&rsquo;ll just be a minute or two, okay?&rdquo; Sharon  slams the car door behind her without waiting for an answer. I watch her run  across the street towards the projects, and then she disappears around the corner.</p>
<p>
  I crouch down in the car in front of the steering wheel. I  want her to hurry. I&rsquo;m feeling like maybe I&rsquo;m a little bit out of my element.</p>
<p>
  When she reappears, she looks jubilant. &ldquo;China  white tonight,&rdquo; she exclaims in a singsong voice. &ldquo;Come on inside. Oh, Willy&rsquo;s  gonna be so happy.&rdquo;</p>
<p>
  Her apartment is a tiny room &#8211; scarcely larger than a  walk-in closet, and sparsely furnished. I doubt it&#8217;s been painted since the place was built. There&rsquo;s a loft in one corner, and in the other, a mini-fridge with a hot-plate on top of it. </p>
<p>
  &ldquo;I&rsquo;m sorry about the mess,&rdquo; Sharon  chirps to me, and then, &ldquo;Hi, baby! Guess what I got!&rdquo;</p>
<p>
  She kisses the tall, lean olive-skinned guy with the sideburns and gentle eyes, and opens her palm to reveal five glassines. He  smiles at her. He has a warm smile, which widens when he takes my hand to shake  it. He can&rsquo;t be older than twenty-five. I like him immediately.</p>
<p>
  &ldquo;I&rsquo;m Willy,&rdquo; he says shyly. &ldquo;Welcome to our home. I&rsquo;m so  sorry, if I knew Sharon was  bringing anyone home I would have cleaned up.&rdquo;</p>
<p>
  &ldquo;Don&rsquo;t worry,&rdquo; I say, although the place does indeed look  awful. There are crumpled tissues and empty cereal boxes on the floor lying next to jeans, shirts and bunched up towels. There&rsquo;s a colorless rug buried somewhere  underneath all that &#8211; here and there I can see squares of it.</p>
<p>
  &ldquo;I wish I had something to offer you, a drink maybe. We  didn&rsquo;t go shopping yet this week,&rdquo; Willy continues.</p>
<p>
  &ldquo;Can I use your bathroom?&rdquo; I ask.</p>
<p>
  Sharon hands me  a key and a roll of toilet paper. &ldquo;Round the corner, last door on the right  hand side,&rdquo; she says. &ldquo;Don&rsquo;t worry if you see any of the neighbors. They&rsquo;re  harmless.&rdquo;</p>
<p>
  Their hallway is as depressing as the rest of the building. And the bathroom smells like old piss. As if no one&rsquo;s ever cleaned up behind years of drunken men missing the toilet bowl. I make an effort to breathe only  through my mouth, and I hover over the seat while I pee. When I wash my hands,  there&rsquo;s no place to dry them except for my jeans.</p>
<p>
  I return to Sharon&rsquo;s  room, where I&#8217;m surprised to see Buddy, the doorman from Lucille&rsquo;s, sitting in  the corner.</p>
<p>
  &ldquo;You didn&rsquo;t tell me you had company,&rdquo; Buddy mumbles to Sharon,  nodding at me.</p>
<p>
  &ldquo;She&rsquo;s cool, I promise. She won&rsquo;t say anything,&rdquo; Sharon  answers. &ldquo;Willy got fired when they found out I was dating him,&rdquo; she explains  to me. &ldquo;They don&rsquo;t know Buddy hangs out with us. Do you want a bump?&rdquo;</p>
<p>
  I nod, and she hands me a glassine with a few crumbs  left in it. I pour the contents on my hand and snort them. It&rsquo;s not enough. I  don&rsquo;t feel anything. I&rsquo;m the only person I know who does dope but won&rsquo;t  shoot up. Maybe that&rsquo;s why for me, heroin is no different from any other party drug.</p>
<p>
  Buddy looks like he&rsquo;s much older than we are. I don&rsquo;t  understand why he&rsquo;s even in the picture until he rolls up his sleeve and starts  tying off.</p>
<p>
  A few minutes later, his sweaty face has turned purple from the exertion of searching for a vein in his arm that will take the shot. He&rsquo;s  hunched over the needle, muttering to himself as he grows more and more desperate.  Finally he asks Willy to shoot it into his neck. I turn away. I can&rsquo;t watch this.</p>
<p>
  &ldquo;Hey, you have an audition tomorrow, remember?&rdquo; Willy says  to Sharon. &ldquo;You have to get some  sleep.&rdquo;</p>
<p>
  &ldquo;I&rsquo;m not tired,&rdquo; Sharon  says airily. &ldquo;What time did I need to be there? Maybe I&rsquo;ll just stay up.&rdquo;</p>
<p>
  Both of them ignore Buddy, who is nodding in the corner.</p>
<p>
  &ldquo;Last time you did that, you complained that you had puffy  eyes and they didn&rsquo;t call you back,&rdquo; Willy reminds her. &ldquo;Sharon  almost wound up on a soap last month,&rdquo; he tells me.</p>
<p>
  &ldquo;It&rsquo;ll be fine,&rdquo; Sharon  snaps.</p>
<p>
  &ldquo;Hey, if you&rsquo;ve got stuff to do, I need to get home and  sleep anyway,&rdquo; I interject. &ldquo;And I&rsquo;m sure my cats are hungry.&rdquo;</p>
<p>
  &ldquo;We&rsquo;re hanging out again though,&rdquo; Sharon  says. It sounds like more of an order than an invitation.</p>
<p>
  &ldquo;Of course,&rdquo; I say, putting my coat on.</p>
<p>
  &ldquo;Are you working on Friday? They have a Christmas party that  night.&rdquo;</p>
<p>
  &ldquo;I think so, yeah.&rdquo;</p>
<p>
  &ldquo;Great,&rdquo; she says. &ldquo;Don&rsquo;t make any other plans. We&rsquo;ll go to  after-hours. Okay, Willy?&rdquo;</p>
<p>
  &ldquo;Sharon, we  don&rsquo;t have money for after-hours,&rdquo; Willy says.</p>
<p>
  &ldquo;Shut up. You know I can make money whenever we need it.  Quit being such a buzzkill.&rdquo; </p>
<p>
  He shrugs. &ldquo;Sure, okay. I&rsquo;ll see you soon,&rdquo; he says to me. </p>
<p>
  Sharon comes  over and gives me a big hug. &ldquo;You should let me do your eye makeup for the  party,&rdquo; she says.</p>
<p>
  &ldquo;Thanks for coming over,&rdquo; Willy says. &ldquo;It&rsquo;s nice to meet  you.&rdquo;</p>
<p>
  &ldquo;Come back soon!&rdquo; Sharon  says.</p>
<p>
  They&rsquo;re both still smiling when the door closes. I&rsquo;m not  even halfway down the hall before I hear the muffled arguing begin.</p>
<p>
  &ldquo;I said, don&rsquo;t tell me what to do!&rdquo; That&rsquo;s her voice.</p>
<p>
  &ldquo;Okay, then do whatever the hell you want &ndash; I don&rsquo;t care!&rdquo;</p>
<p>
  I suppose Buddy&rsquo;s used to their quarrels. There&rsquo;s not a peep  out of him.</p>
<p>
  I shake my head, and continue walking to my car, glad that  for a change, it isn&rsquo;t me doing the yelling.</p>
]]></content:encoded>
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		<title>THIRTY-FIVE</title>
		<link>http://www.laurishaw.com/thirty-five/</link>
		<comments>http://www.laurishaw.com/thirty-five/#comments</comments>
		<pubDate>Mon, 04 May 2009 15:00:58 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=740</guid>
		<description><![CDATA[&#8220;I don&#8217;t know what you want me to say. Except all those  things you just told me? Those are the songs we should be writing.&#8221;</p><p>
  &#8220;Oh, yeah, right. Let&#8217;s tell the  whole world how easy it is to fuck me over. Let&#8217;s write across the sky in giant  letters that I&#8217;m a victim.&#8221;</p><p>
  &#8220;You think if bad things happen to you, it automatically means you&#8217;re a victim?&#8221;</p><p>
  &#8220;Honestly? Yeah. That&#8217;s what I think.&#8221;</p><p>]]></description>
			<content:encoded><![CDATA[<p>&ldquo;You don&rsquo;t sound good at all,&rdquo; Sean says immediately when I  pick up the phone.</p>
<p>
  &ldquo;You&rsquo;re observant,&rdquo; I answer.</p>
<p>
  I&#8217;ve been up all night doing coke and drinking.  I think I slept for an hour, but I&rsquo;m not really sure. My head aches. My body  feels dried up and wrung out. I could probably sleep for the rest of the week.  Goddamned phone. I should have turned off the ringer.</p>
<p>
  &ldquo;Do you still want me to come over?&rdquo;</p>
<p>
  &ldquo;I didn&rsquo;t even know you were in town.&rdquo;</p>
<p>
Usually I want to see Sean. But not today. Today I don&#8217;t want to see anyone.</p>
<p>
  &ldquo;I told you last time I saw you that I&rsquo;d be here today. Remember?  We said we&rsquo;d finish the song.&rdquo;</p>
<p>
  &ldquo;I hate that song.&rdquo;</p>
<p>
  &ldquo;Oh.&rdquo; Sean sounds hurt. &ldquo;We could work on something  else then, I guess.&rdquo;</p>
<p>
  &ldquo;We&rsquo;re wasting our time.&rdquo;</p>
<p>
  I shouldn&rsquo;t be taking this out on him. He&rsquo;s the only person I know who&#8217;s nice to me. I want to hang up and start fresh from a different place. But I can&rsquo;t stop. All my hurt has surfaced and is now yanking the strings for me. &ldquo;<em>No do-overs!</em>&rdquo;  taunts a childish voice in my head. My logical self is sitting this one out.</p>
<p>
  &ldquo;I&rsquo;ve never felt that way,&rdquo; he says. &ldquo;Working  with you is great.&rdquo;</p>
<p>
  &ldquo;Yeah? Then why haven&rsquo;t we finished it yet?&rdquo; Now I&rsquo;m  simply being mean.</p>
<p>
  &ldquo;You know I just had mid-terms. I&rsquo;m practically flunking out of school. I&rsquo;m on a  scholarship! Which I&rsquo;ll lose if I don&rsquo;t straighten out this semester.&rdquo;</p>
<p>
  &ldquo;Well, it&rsquo;s good to see where your priorities lie, college  boy,&rdquo; I retort.</p>
<p>
  <em>Stop it, just stop it! I don&rsquo;t want to do this, and I can&rsquo;t  do anything else right now. Just go away and come back when I feel like a human  being.</em></p>
<p>
  &ldquo;Hey, fuck you.&rdquo; Sean has just passed over from hurt into  angry. &ldquo;When did you start becoming such a bitch?&rdquo;</p>
<p>
  &ldquo;Oh, I don&rsquo;t know,&rdquo; I say sarcastically. &ldquo;Maybe the last  time Barry hit me? Did you know he hit me?&rdquo; I hear Sean catch his breath. The rest of my diatribe comes spewing out. &ldquo;Of course you didn&rsquo;t, because I never told  you. Did you know that Barry and Alannah used me up and then both left me high and dry? Did you  know I quit Angels because the bouncers wouldn&rsquo;t protect me from a posse of  ugly, dirty street rats? On that note&hellip; did you know I once got raped in a strip  club before I knew how to keep these fuckers at bay? Management did nothing.  That&rsquo;s right, you heard me, <em>nothing</em>.  They knew&hellip; Yeah, you don&rsquo;t know the first thing about my life. You only know  what I tell you. I&rsquo;ve kept it simple for you. I wanted you to think I was  different.&rdquo;</p>
<p>
  He&rsquo;s silent for long enough that I wonder whether he&#8217;s  still on the line. Then he says, &ldquo;You are different. At least, you&rsquo;ve always <em>been</em> different. You&rsquo;re smart. You&rsquo;re  nice. You&rsquo;re incredibly fucking talented. Your voice would move people if more people could hear it.&rdquo;</p>
<p>
  &ldquo;Fat chance, honey,&rdquo; I say. &ldquo;The only thing about me  that&rsquo;s ever gonna move anyone is my ass grinding in his lap.&rdquo;</p>
<p>
  &ldquo;That&rsquo;s a harsh way to look at yourself.&rdquo;</p>
<p>
  No shit, Sean.</p>
<p>
  &ldquo;I got it straight from the horse&rsquo;s mouth. Fuck it. I&rsquo;m  done.&rdquo;</p>
<p>
  &ldquo;Done? What are you done with?&rdquo; Now he sounds like he feels  almost as lousy as I do.</p>
<p>
  &ldquo;DONE! Just done. Time to accept my lot in life and get on  with it.&rdquo; I hear him exhale on the other end.  &ldquo;Look, Sean&hellip;&rdquo; I try to make my voice gentler. This is a challenge alongside the  permanent cocaine rasp it seems to have taken on. &ldquo;I&rsquo;m sorry for letting you  believe I was better than I am. Truth is, I&rsquo;m as damaged as any other stripper  you&rsquo;ve ever seen. Maybe more.&rdquo;</p>
<p>
  &ldquo;That&rsquo;s not true,&rdquo; he objects. &ldquo;The shit you just told me is  horrible. And I&rsquo;m sorry.&rdquo;</p>
<p>
  &ldquo;Don&rsquo;t you <em>dare</em> go feeling sorry for me!&rdquo;</p>
<p>
  It&rsquo;s a stupid thing to say, especially in light of the  amount of time I spend feeling sorry for myself.</p>
<p>
  &ldquo;I don&rsquo;t know what you want me to say. Except all those  things you just told me? Those are the songs we should be writing.&rdquo;</p>
<p>
  &ldquo;Oh, yeah, right.&rdquo; I&rsquo;ve gone flat again. &ldquo;Let&rsquo;s tell the  whole world how easy it is to fuck me over. Let&rsquo;s write across the sky in giant  letters that I&rsquo;m a victim.&rdquo;</p>
<p>
  &ldquo;You think if bad things happen to you, it automatically means you&rsquo;re a victim?&rdquo;</p>
<p>
  &ldquo;Honestly? Yeah. That&rsquo;s what I think.&rdquo;</p>
<p>
  &ldquo;You know, I never told you a lot about my life, either.  Maybe you&#8217;d think I&rsquo;m a victim, too.&rdquo;</p>
<p>
  His statement catapults me back into reality. I feel a pang  of remorse for how selfish I&rsquo;m being. I try to make amends. &ldquo;Sean, I could&rsquo;ve  put up with any of what I just told you as long as I believed I had an out, and  that out was music. But I don&rsquo;t anymore. So I have nothing left to look forward  to.&rdquo;</p>
<p>
  &ldquo;You know what? I went to Catholic school. The nuns gave us coloring books that said &lsquo;Jesus loves you&rsquo;. I used to believe that. I guess the  people I love best are supposed to be with Jesus now, too. &lsquo;Cause most of &lsquo;em  are dead. So I got sold on a bunch of garbage about God that I no longer  believe. Am I supposed to pack it in, too?&rdquo;</p>
<p>
  &ldquo;I met some A&amp;R reps the other day, and they said I was  a terrible singer. &lsquo;Caterwauling&rsquo; was the word I think they used. That&rsquo;s about  the same as God coming down from his fluffy cloud and announcing that I shalt  not bother playing music. So, I see your Jesus, and I raise you four pudgy  A&amp;R reps,&rdquo; I say.</p>
<p>
  &ldquo;What kind of music did these guys rep?&rdquo; Sean asks.</p>
<p>
  &ldquo;Who cares? I think they would know better than you and I  would about whether I should keep on singing.&rdquo;</p>
<p>
  &ldquo;All right.&rdquo; He sounds tired and discouraged. &ldquo;I&rsquo;m not gonna  argue with you anymore. Call me some time if you want to. I&rsquo;ll be home for  winter break. Ball&rsquo;s in your court now, okay? I&rsquo;ll talk to ya.&rdquo;</p>
<p>
  &ldquo;Hey, wait! Sean!&rdquo; I realize that I&rsquo;d like to see him  anyway, even if I don&rsquo;t feel like working on our tune.</p>
<p>
  It&rsquo;s too late. He&rsquo;s hung up the phone.</p>
]]></content:encoded>
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		</item>
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		<title>THIRTY-FOUR</title>
		<link>http://www.laurishaw.com/thirty-four/</link>
		<comments>http://www.laurishaw.com/thirty-four/#comments</comments>
		<pubDate>Mon, 27 Apr 2009 15:00:53 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=737</guid>
		<description><![CDATA[&#8220;You don&#8217;t&#8230;&#8221; I trail off and then begin once more in wonder.  &#8220;This is never gonna change, is it?&#8221;</p><p>
  He doesn&#8217;t respond.</p><p>
  &#8220;Barry, I&#8217;m talking to you.&#8221;</p><p>
  &#8220;I HEAR YOU!&#8221; he explodes, throwing the book across the  room. It ricochets off the wall and lands in the middle of the floor with its  spine split.</p><p>]]></description>
			<content:encoded><![CDATA[<p>&ldquo;Maybe it&rsquo;s time you hung it up,&rdquo; Barry suggests, without  looking up from the well-worn Robert Jordan novel that I&rsquo;ve seen him read at  least three times.</p>
<p>
  &ldquo;Oh, yeah, <em>that&rsquo;ll</em> happen,&rdquo; I sneer. I fling my coat onto a chair, and heave my body onto the  couch next to him. I&rsquo;m completely exhausted. &ldquo;Do we have any more weed?&rdquo; I ask.</p>
<p>
  Barry hands me a roach that was a badly rolled joint in a  previous incarnation, and I light it, wincing at the hideous taste.</p>
<p>
  &ldquo;I can&rsquo;t make money at any of these new clubs,&rdquo; I sigh.</p>
<p>
  &ldquo;Angels was your groove,&rdquo; he replies.</p>
<p>
  &ldquo;Fuck that place!&rdquo; I say sharply. &ldquo;Angels is a whorehouse.&rdquo;</p>
<p>
  Now he does look up. &ldquo;They&rsquo;re <em>all</em> whorehouses, baby. When are you gonna realize that?&rdquo;</p>
<p>
  &ldquo;So you keep saying.&rdquo; I take a deep breath. &ldquo;Barry, you and  I need to talk.&rdquo;</p>
<p>
  He rolls his eyes, shuts the book and straightens in his  seat. He assumes an exaggerated posture and stares at me expectantly. &ldquo;What?&rdquo;</p>
<p>
  &ldquo;The thing is,&rdquo; I begin. &ldquo;Nothing&rsquo;s come in now for almost a  month. I was losing money while Alannah was here. Now I&rsquo;m burning through my  savings.&rdquo;</p>
<p>
  &ldquo;I told you she was gonna take you for a ride,&rdquo; he says. He  crosses his legs and uncrosses them. They&rsquo;re gangly &ndash; too long for his body. </p>
<p>
  &ldquo;Right&hellip; Okay, so this isn&rsquo;t actually about Alannah,&rdquo; I  say. &ldquo;Barry, I really need you to get a job.&rdquo;</p>
<p>
  &ldquo;You know, there are other gigs out there besides  stripping.&rdquo; </p>
<p>
  &ldquo;This isn&rsquo;t about whether I can make money or not. I&rsquo;ve been  taking care of you for years. You&rsquo;re a grown man. It&rsquo;s not fair.&rdquo;</p>
<p>
  He blows cigarette smoke out the side of his mouth. &ldquo;You  thought about bartending?&rdquo;</p>
<p>
  I tap my fingers on the coffee table and suck my teeth.  After a minute or two of this pregnant silence, Barry picks up his paperback  and opens it again.</p>
<p>
  &ldquo;You don&rsquo;t&hellip;&rdquo; I trail off and then begin once more in wonder.  &ldquo;This is never gonna change, is it?&rdquo;</p>
<p>
  He doesn&rsquo;t respond.</p>
<p>
  &ldquo;Barry, I&rsquo;m talking to you.&rdquo;</p>
<p>
  &ldquo;I HEAR YOU!&rdquo; he explodes, throwing the book across the  room. It ricochets off the wall and lands in the middle of the floor with its  spine split.</p>
<p>
  I bite my lip. &ldquo;Okay, Barry, you have to go.&rdquo;</p>
<p>
  &ldquo;Fuck you,&rdquo; he dismisses me.</p>
<p>
  &ldquo;Do I need to call the cops again?&rdquo;</p>
<p>
  He moves from the couch and stands over me. It&rsquo;s a jailhouse  threat. I take the bait, pulling myself up to my full height. We glower at each  other. </p>
<p>
  &ldquo;Do you know what a pain in the ass it is to deal with you?&rdquo;  he seethes. &ldquo;You&rsquo;re the reason I <em>can&rsquo;t</em> get a job. Maybe if you&rsquo;d quit nagging me so much, I could handle the stress of  looking for work!&rdquo;</p>
<p>
  &ldquo;Bullshit!&rdquo;</p>
<p>
  He&rsquo;s too close. I push him off-balance, and start to walk  away towards the telephone. He sees where I&rsquo;m headed and shoves me in the other  direction. I fly backwards. My head hits the corner of the coffee table.</p>
<p>
  &ldquo;MotherFUCKER!&rdquo; I squawk. When the pain hits, it starts as a  slow throb, and then spreads until my eyeballs ache.</p>
<p>
  &ldquo;Oh, Christ,&rdquo; Barry says, all the anger instantly draining  itself from his face. &ldquo;Baby, you okay?&rdquo; He gets down on his knees in front of  me and goes to touch the back of my head. &ldquo;I&rsquo;ll get you some ice.&rdquo;</p>
<p>
  I slap his hand away and close my eyes. &ldquo;Please just go,&rdquo; I  whisper. I sink all the way down onto the living room floor, pressing my face  to the cold wood.</p>
<p>
  He complies. I can hear him rustling around the room,  ostensibly collecting his things. A few minutes later, the door to the  apartment bangs shut.</p>
<p>
  I wait until I&rsquo;m positive he&rsquo;s not coming back before I&rsquo;ll  allow the tears to start.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>THIRTY-THREE</title>
		<link>http://www.laurishaw.com/thirty-three/</link>
		<comments>http://www.laurishaw.com/thirty-three/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 15:00:14 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=733</guid>
		<description><![CDATA[I look down at their cards. She&#8217;s A&#38;R for a  record label I&#8217;ve never heard of. He&#8217;s the CEO. &#8220;That&#8217;s really cool,&#8221; I  comment. &#8220;Is it a fun job?&#8221;</p><p>
  &#8220;Yeah, I like it,&#8221; she answers.</p><p>
  <em>What else is she going  to say in front of the boss?</em> I feel silly for asking the question. An  A&#38;R rep &#8211; of course she likes her job. I clamber back up the pole and do a  trick. The three guys clap politely, and throw more money up on the stage.</p><p>
  I should be living in their world, not this one. I wish  there was some way that I could let them know I don&#8217;t belong here.</p><p>]]></description>
			<content:encoded><![CDATA[<p>By the time I reach the seventh audition I&rsquo;ve been to in  almost as many days, I&rsquo;ve lost count of how much cash I&rsquo;ve spent trying to find  a new job. Some clubs won&rsquo;t hire me because I don&rsquo;t look like the girls they&rsquo;ve  already got. Other places are just too damned dead for me to justify paying house fees to the owners. I&rsquo;m thinking this  Merry-Go-Round place may be one of them. It&rsquo;s empty. </p>
<p>
  The manager asks me to stay for the rest of the shift after  he sees me dance. He says he&rsquo;ll waive tip-out. &ldquo;We need more white girls,&rdquo; he  tells me plainly.</p>
<p>
  From what I&rsquo;ve observed so far, the girls here spend most of  their time in the dressing room, playing cards and bullshitting. The  conversations I&rsquo;ve overheard have run along these lines:</p>
<p>
  &ldquo;Public assistance ain&rsquo;t really no thing.&rdquo;</p>
<p>
  &ldquo;Yeah? How long I&rsquo;ma have to wait for it?&rdquo; </p>
<p>
  &ldquo;Depends. You got kids?&rdquo;</p>
<p>
  &nbsp;&ldquo;Nah.&rdquo;</p>
<p>
  &ldquo;Well, so maybe longer than I did, <em>chica</em>. But when you get it, it&rsquo;s all good. They give you a card to  swipe through the machines at the grocery, jus&rsquo; like a credit card. It&rsquo;s like, <em>and</em> what, white girl? I got a card too &#8211;  I&rsquo;m just as good as you.&rdquo;</p>
<p>
Somehow I doubt the girls here would agree with their manager&#8217;s assessment of the Merry-Go-Round&#8217;s staffing needs.</p>
<p>
  I doubt I&rsquo;m going to work at this place. But I&rsquo;ve decided to  see if I can at least make enough to put some gas in the car today. I hate  going through my savings. The act of spending money rather than making it, for  the first time in something like ten months, really worries me.</p>
<p>
  They wander into the club while I&rsquo;m in the middle of a set,  and they head right for the stage. They are three guys and a girl. None of them  look much older than I am. </p>
<p>
  It&rsquo;s always a little strange for me when a woman comes in. I  feel like I need to go out of my way to talk to her and try to figure out what  her deal is. Usually she&rsquo;s half of a couple. This one is attractive. A goth  chick or a metalhead from the looks of it. My money&rsquo;s on metal &ndash; she&rsquo;s wearing  black jeans and not very much makeup. She tips me when I dance in front of her.</p>
<p>
  &ldquo;Tell me which one&rsquo;s your boyfriend, and I won&rsquo;t touch him  unless you want me to,&rdquo; I tell her confidently.</p>
<p>
  She laughs. &ldquo;None of them,&rdquo; she says. &ldquo;We all work  together.&rdquo;</p>
<p>
  &ldquo;No kidding.&rdquo; I&rsquo;m surprised. &ldquo;What do you guys do?&rdquo;</p>
<p>
  The girl points to one of her colleagues, a chubby guy with  glasses. &ldquo;He owns the company. J.J., can I give her a business card?&rdquo;</p>
<p>
  J.J. nods his permission. &ldquo;Give her this, too,&rdquo; he says, and  passes her another wad of singles.</p>
<p>
  &ldquo;Thanks,&rdquo; I say to him. He raises his glass at me, his eyes taking in every inch of my body. I look down at their cards. She&rsquo;s A&amp;R for a  record label I&rsquo;ve never heard of. He&rsquo;s the CEO. &ldquo;That&rsquo;s really cool,&rdquo; I  comment. &ldquo;Is it a fun job?&rdquo;</p>
<p>
  &ldquo;Yeah, I like it,&rdquo; she answers.</p>
<p>
  <em>What else is she going  to say in front of the boss?</em> I feel silly for asking the question. An  A&amp;R rep &ndash; of course she likes her job. I clamber back up the pole and do a  trick. The three guys clap politely, and throw more money up on the stage.</p>
<p>
  I should be living in their world, not this one. I wish  there was some way that I could let them know I don&rsquo;t belong here.</p>
<p>
  My set ends. I collect my pile of one-dollar bills and walk  through the club to the dressing room, naked and clutching my dress in front of  my body. </p>
<p>
  After I&rsquo;m finished putting myself back together, I return to  the floor, where a pretty Latina  dancer has taken the stage. I watch her move, staring as hard as any customer  would. My motivations are different. It&rsquo;s not lust for me, not today. I&rsquo;m  trying to picture her dressed. I&rsquo;m trying to imagine what this girl would look  like if she did something else for a living.</p>
<p>
  The Fugee&#8217;s version of &#8220;Killing Me Softly&#8221; comes on. The girl onstage wiggles her ass to it, looking thoroughly bored. I tap my foot automatically and sing along with Lauren Hill.</p>
<p>
  &ldquo;Strummin&rsquo; my pain with his fingers&hellip; Yeah, he was singin&rsquo; my  life with his words&hellip;&rdquo;</p>
<p>
  One of the label guys walks past me on his way to the  bathroom. I continue to sing. I&rsquo;m not sure if he hears me or not. I&rsquo;m not even  really sure that I want him to. His expression never changes, so I assume he didn&rsquo;t.</p>
<p>
  Over the course of the next hour, I do another two sets. I  notice that I&rsquo;m not the only girl who isn&rsquo;t selling private dances &ndash; I haven&rsquo;t  seen anyone actually land one for the whole time I&rsquo;ve been here. I decide not  to finish the shift. </p>
<p>
  The manager is decent enough about it &ndash; what can he really  say, after all? I tried. It feels good to get back into street clothes. I&rsquo;ll  try another club tomorrow, and if necessary, the day after.</p>
<p>
  As I emerge from the dressing room, I see that the A&amp;R  people are also leaving. I&rsquo;m not going out of my way to listen to their  conversation. But I hear it anyway, and I stop cold. They don&rsquo;t notice me standing right behind them.</p>
<p>
  &ldquo;Did you hear that skinny chick caterwauling over the  music?&rdquo; says the guy who walked past me.</p>
<p>
  My stomach drops. He means me. I&#8217;m the skinny chick.</p>
<p>
  &ldquo;That&rsquo;s what you get when you tell people you&rsquo;re A&amp;R,&rdquo;  laughs his boss.</p>
<p>
  &ldquo;Does every stripper on the planet think she&rsquo;s a singer?&rdquo;  the first guy asks.</p>
<p>
  &ldquo;No. Some of them think they&rsquo;re actresses, too,&rdquo; the third  guy says.</p>
<p>
  They all laugh. The only one who doesn&rsquo;t say anything is the  girl. I can&rsquo;t see their faces, so I have no idea whether she agrees or  not. What I do know is that I feel ill.</p>
<p>
  I give the A&#038;R reps a good head start before walking out  to my car. I don&rsquo;t want them to see me in my street clothes. My lower lip  quivers as I fight off tears.</p>
<p>
  Singing is the only thing I&rsquo;ve ever really thought I  was good at. And I guess somewhere in the back of my mind, I always hoped that  when I finally got my shit together, I&rsquo;d be able to do it for a living. I don&rsquo;t  even know what else to aspire to if I don&rsquo;t want this.</p>
<p>
  But what if I&#8217;ve been deluding myself? Maybe I was good  enough to slay the competition in grade school &ndash; was I merely a big fish  in a small pond? These people listen to music for a living. They not only thought I was horrible &ndash; they all had a good laugh about it, too. </p>
<p>
  I hear a set of tires screech somewhere down the block on  the West Side Highway, and a second later, the sound of glass shattering.</p>
<p>
  Perfect, I think to myself bitterly. Somebody upstairs is  making it real clear, all right.</p>
<p>
  It seems appropriate to me that failure has its very own  soundtrack.</p>
<hr />
<p>My teeth start to chatter as I enter my musty, cold apartment. There&#8217;s still no heat in the building &#8211; it&#8217;s been four days now. Barry is bundled up in front of the TV under a mountain he&#8217;s made using every blanket in the house, including mine. He doesn&#8217;t look up when I walk in. I ignore him and go straight to the bedroom, where I plunk my ass down on the bare bed and stare at the wall.</p>
<p>I keep hearing that one guy&#8217;s voice in my head, over and over again like a loop, until I&#8217;m ready to start screaming just so that I can hear something different.</p>
<p>I don&#8217;t know anything about those A&#038;R people. It&#8217;s possible they just don&#8217;t like this kind of music. I have no idea what they&#8217;ve put out on their label, but they can&#8217;t be the final word on good taste, can they? Most people hear me sing and then tell me I&#8217;m great at it. Why would they all lie?</p>
<p>What about Sean? His opinion counts, doesn&#8217;t it? I can think of nothing I&#8217;d like better right now than to jam with someone who likes the way I sing. But Sean&#8217;s at school.</p>
<p>And then I remember the blues band in the subway. Those guys loved me. I never did call up that frontman. I should call him now. </p>
<p>I rummage through my phone numbers. Do I even have his card anymore? That was months ago. He probably won&#8217;t even remember me. But I finally find the card buried all the way on the bottom of the box. Before I can lose my nerve, I dial the number. My hands shake. It&#8217;s ringing.</p>
<p>&#8220;Yeah?&#8221; It&#8217;s a woman&#8217;s voice. She sounds old and not very friendly. When I ask for Chuck, she doesn&#8217;t answer, leaving an awkward pause.</p>
<p>&#8220;Hello?&#8221; I say. &#8220;Is this Chuck&#8217;s number?&#8221;</p>
<p>&#8220;Who this? Why you callin&#8217; my husband? You sellin&#8217; somethin&#8217;?&#8221; </p>
<p>&#8220;What?&#8221;</p>
<p>&#8220;You one of those telemarketin&#8217; people?&#8221;</p>
<p>&#8220;No. I met Chuck at Grand Central, and&#8230;&#8221; I trail off because I&#8217;m nervous. She&#8217;s already put me on the defensive.</p>
<p>&#8220;You met Chuck? When you met him?&#8221;</p>
<p>&#8220;I don&#8217;t know, a while ago. </p>
<p>&#8220;Mm-hmm.&#8221;</p>
<p>&#8220;He said to call him, back when we met. It&#8217;s about his band.&#8221; I sound moronic. &#8220;Is he around?&#8221;</p>
<p>&#8220;No, he ain&#8217;t.&#8221;</p>
<p>&#8220;Oh. Um&#8230; could you tell me when&#8217;s a good time for me to call back?&#8221;</p>
<p>&#8220;Ain&#8217;t no good time. Chuck ain&#8217;t here. Chuck ain&#8217;t gonna be here.&#8221;</p>
<p>&#8220;Oh,&#8221; I say. &#8220;I&#8217;m sorry to bother you, then.&#8221;</p>
<p>&#8220;Mm-hmm,&#8221; she says again. </p>
<p>&#8220;Has he got a new number where I can reach him?&#8221;</p>
<p>&#8220;Honey, you cain&#8217;t reach him. He dead.&#8221;</p>
<p>&#8220;What?&#8221;</p>
<p>&#8220;I said he <em>dead</em>. You unnerstan&#8217;? Chuck dead.&#8221;</p>
<p>There&#8217;s no answer for that and she knows it. I apologize and hang up the phone, dazed.</p>
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