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	<title>Lauri Shaw &#187; Servicing the Pole</title>
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	<description>Servicing the Pole and other writings</description>
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		<title>THIRTY-SEVEN</title>
		<link>http://www.laurishaw.com/thirty-seven/</link>
		<comments>http://www.laurishaw.com/thirty-seven/#comments</comments>
		<pubDate>Mon, 18 May 2009 15:00:24 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=744</guid>
		<description><![CDATA[It takes a few tries before I can get her onto her  feet. Sharon&#8217;s not fat, however,  she&#8217;s broad. And she&#8217;s much heavier than I am. She slumps, but she walks along  clinging to me until we get to the middle of the staircase that leads to the main floor. Then she sits down at the landing.</p><p>
  I groan. &#8220;Come on, Sharon,  don&#8217;t do this to me!&#8221; I whisper fiercely. &#8220;Joy will fire us both!&#8221;</p><p>
  Her eyes are pinned, and she&#8217;s grinning from ear to ear. I&#8217;m  not sure she&#8217;s even heard me.</p><p>]]></description>
			<content:encoded><![CDATA[<p>Two nights before Christmas, our party consists of a giant  punchbowl in the dressing room and no tree. The club will be open for the  holiday. Lucille&rsquo;s stays open three hundred and sixty-five days a year. I&rsquo;m  glad I got out of working that night, but I hope I can find something to do  instead. I don&rsquo;t want to spend Christmas alone.</p>
<p>
  It&rsquo;s the middle of the shift. I&rsquo;m slightly tipsy. I&rsquo;ve just  done several table dances and been in the champagne room. Arlo, the  cokehead floor manager, now knows to stay clear of me while I&rsquo;m pitching customers. I&rsquo;ve been having more success without his &ldquo;help&rdquo; than I had while he was butting in. Things are going well. I&rsquo;m making money  tonight. I decide to grab another cup of punch to celebrate my success.</p>
<p>
  Sharon is on her knees on the floor of the dressing room, still wearing her street clothes. I still don&rsquo;t know her well, so it takes a few moments before I realize she&rsquo;s totally intoxicated. Her ass crack is hanging out of her  pants. She giggles and slurs while her eyes light on nothing in particular and then flit to something else just as quickly. A couple of the girls snicker behind their hands at her, but otherwise, nobody&rsquo;s paying attention.</p>
<p>
  &ldquo;Honey, what&rsquo;s up with you?&rdquo; I ask. My gown rides up my legs  as I sit next to her on the floor. &ldquo;How you feeling?&rdquo;</p>
<p>
  &ldquo;Hee,&rdquo; she laughs.</p>
<p>
  &ldquo;Yeah, that good, huh? Speak to me. Say something I can  understand.&rdquo;</p>
<p>
  &ldquo;You godda purdy mouth,&rdquo; she garbles. Then she cracks up for  about a minute and a half. I watch her carefully.</p>
<p>
  Joy, the club&rsquo;s owner, is on hand tonight. She&rsquo;s a Dominican  woman of dubious stability who used to be a dancer herself, quite a long time  ago. Many of the girls are afraid of her because they say she can be extremely  vindictive. I rarely deal with her at all, preferring to stay off the radar of  anyone who has that sort of reputation.</p>
<p>
  Now Joy enters the dressing room, takes one look at Sharon,  and says, &ldquo;Oh, hell no. She got to go home. Somebody got to put her in a cab.  She can&rsquo;t work like that.&rdquo;</p>
<p>
  &ldquo;I&rsquo;ll take her down there,&rdquo; I say hastily, because it&#8217;s clear no else here gives a shit.</p>
<p>
  &ldquo;You got this?&rdquo; Joy looks my way, noticing me for the  first time. Her eyes are predatory.</p>
<p>
  I nod my assent and change into my street clothes as quickly  as I can. Some of the other girls have begun to congregate around Sharon.  Their jeers are growing louder. In her current state, she doesn&rsquo;t know the  difference. Still, I&rsquo;m embarrassed for her. I want to get her out of here  sooner rather than later.</p>
<p>
  Just as I&rsquo;m getting my shoes on, Sharon  farts loudly. &ldquo;Ha, ha, ha! I pooted!&rdquo; she announces.</p>
<p>
  &ldquo;Aw, <em>nasty</em>!&rdquo;</p>
<p>
  &ldquo;Get that stank bitch outta here!&rdquo;</p>
<p>
  &ldquo;Day-um!&rdquo;</p>
<p>
  I glare at the girls as they back away. Then I turn around  again to face Sharon.</p>
<p>
  &ldquo;Come on, honey. Up,&rdquo; I tell her reassuringly. I reach for  her hand.</p>
<p>
  It takes a few tries before I can get her onto her  feet. Sharon&rsquo;s not fat, however,  she&rsquo;s broad. And she&rsquo;s much heavier than I am. She slumps, but she walks along  clinging to me until we get to the middle of the staircase that leads to the main floor. Then she sits down at the landing.</p>
<p>
  I groan. &ldquo;Come on, Sharon,  don&rsquo;t do this to me!&rdquo; I whisper fiercely. &ldquo;Joy will fire us both!&rdquo;</p>
<p>
  Her eyes are pinned, and she&rsquo;s grinning from ear to ear. I&rsquo;m  not sure she&rsquo;s even heard me.</p>
<p>
  &ldquo;Jesus, Sharon,  what the fuck did you take, anyway?&rdquo; It&rsquo;s sort of a rhetorical question at this  point.</p>
<p>
  She gets up again and begins walking of her own accord. We  make it to the elevator, where she curls up in a corner and starts to nod.</p>
<p>
  At the ground floor, I enlist Buddy&rsquo;s help. He leaves his  post to collect Sharon from the  elevator.</p>
<p>
  &ldquo;Come on, girlie-girl,&rdquo; he says, letting her lean on him.  &ldquo;Let&rsquo;s get you a cab.&rdquo;</p>
<p>
  He&rsquo;s able to flag one down easily. But first Sharon  won&rsquo;t sit down in the backseat, and then she can&rsquo;t speak coherently enough to  tell the cab driver where she lives. The driver looks at her in disgust and  speeds away.</p>
<p>
  &ldquo;Okay, very well. Maybe she can walk it off,&rdquo; Buddy says.</p>
<p>
  Each of us takes an arm. We start to walk down the street  with Sharon between us. It&rsquo;s  bitterly cold out here. I barely feel it. </p>
<p>
  &ldquo;Damn, that bitch is to&rsquo; up,&rdquo; I hear a pedestrian in a  hoodie saying to his companion as they pass by us on the sidewalk. &ldquo;She <em>done</em>.&rdquo; </p>
<p>
  &ldquo;Buddy, this is bullshit. I&rsquo;m driving her home,&rdquo; I say.</p>
<p>
  &ldquo;Joy&rsquo;s gonna let you do that?&rdquo; he wants to know.</p>
<p>
  &ldquo;Joy doesn&rsquo;t have a choice,&rdquo; I retort.</p>
<p>
  We bring Sharon  back into the club&rsquo;s vestibule, and I take the ride upstairs in the elevator to  talk to Ritchie, who is the club&rsquo;s general manager.</p>
<p>
  &ldquo;Absolutely not. I don&rsquo;t have enough girls. I can&rsquo;t let you  leave in the middle of a shift,&rdquo; Ritchie scoffs. &ldquo;There are plenty of cabs out  tonight.&rdquo;</p>
<p>
  &ldquo;She&rsquo;s in no condition to be in a cab by herself,&rdquo; I say.  &ldquo;She could wind up anywhere.&rdquo;</p>
<p>
  &ldquo;Well, she shouldn&rsquo;ta come to work all messed up, then,&rdquo;  Ritchie says.</p>
<p>
  &ldquo;You know what?&rdquo; I&rsquo;m getting pretty heated listening to his  self-righteous crap. &ldquo;Give me any fine you think you need to give me. Hell,  fire me if that&rsquo;s what you want to do. This isn&rsquo;t up for discussion. That girl  is not safe by herself, and I am driving her home. Now, I can be back here in  an hour, or not at all. Your choice.&rdquo;</p>
<p>
  Joy emerges from somewhere and catches the end of my speech.  &ldquo;What now?&rdquo; she asks.</p>
<p>
  &ldquo;This one wants to drive the stoney girl home,&rdquo; Ritchie  explains, pointing at me.</p>
<p>
  Joy fixes that serpentine gaze on me again. &ldquo;You know where  she living?&rdquo;</p>
<p>
  I nod.</p>
<p>
  &ldquo;How long it take to get there?&rdquo;</p>
<p>
  &ldquo;I can be back in an hour,&rdquo; I reply.</p>
<p>
  Joy waves her hand in the direction of the door. &ldquo;Do whatchu  got to do.&rdquo;</p>
<p>
  Ritchie looks cowed. &ldquo;I&rsquo;m short two girls now, not one,&rdquo; he  complains.</p>
<p>
  &ldquo;This one be back in an hour,&rdquo; Joy says. &ldquo;Right?&rdquo;</p>
<p>
  &ldquo;Right,&rdquo; I say.</p>
<p>
  I turn and leave, stopping to collect Sharon, who has passed  out completely. Buddy helps me lift her into the car. She&rsquo;s like a giant sack  of potatoes &ndash; dead weight.</p>
<p>
  The drive up to Sharon&rsquo;s  house is an ordeal. Her head falls on my shoulder. It&rsquo;s so heavy that my arm and neck both feel strained. But I don&rsquo;t want to push her head off me because there&rsquo;s  nothing else supporting it. So I drive this way for a few miles, feeling a new  twinge of dull pain every time the car hurtles over another pothole. Finally, I turn onto her street and pull up in front of the building.</p>
<p>
  I ease Sharon&rsquo;s  head gently off my shoulder, and allow her to crumple in the passenger seat.  Then I ring the bell I know is hers.</p>
<p>
  &ldquo;Who is it?&rdquo; Willy says through the intercom.</p>
<p>
  &ldquo;I&rsquo;ve got Sharon  here. Can you come outside?&rdquo; I pant.</p>
<p>
  When he opens the front door, he looks angrily past me and over at her.  This is not how I expected him to greet us. </p>
<p>
  &ldquo;Oh, that&rsquo;s just fuckin&rsquo; great. Now we&rsquo;re gonna be sick,&rdquo; he  says.</p>
<p>
  He picks her up and carries her into the building without  offering me so much as a &ldquo;thank you.&rdquo;</p>
<p>
  I grit my teeth and get back behind the wheel.</p>
<hr />
<p>In the end, it takes over an hour to complete the journey  back and forth. I run upstairs to the dressing room as fast as I can, so Joy and Ritchie can see that I didn&rsquo;t take any liberties with the time.</p>
<p>
  Trying to make any more money tonight is useless. I do a few dances and I pull a bit of stage cash. But I&#8217;ve missed the better part of the shift. And from what I can see from the cashier&rsquo;s log, I&rsquo;ve missed a good night.</p>
<p>
  I cash out at a hundred and fifty bucks, worn out and ready to skip dinner so I can get home and into bed faster. When I get to the club&rsquo;s front door, I almost fall over in shock.</p>
<p>
  Sharon and Willy are outside the club. She&rsquo;s wide awake now and looks damned close to sober. As soon as she sees me, she rushes up and wraps an arm around my neck.</p>
<p>
  &ldquo;Please let me borrow sixty bucks,&rdquo; she says. &ldquo;I swear  I&rsquo;ll get it back to you.&rdquo;</p>
<p>
  &ldquo;Sharon, I  didn&rsquo;t make money,&rdquo; I tell her.</p>
<p>
  &ldquo;Please?&rdquo; she begs. &ldquo;We&rsquo;re both really sick.&rdquo;</p>
<p>
  She&#8217;s serious. I can&#8217;t believe this.</p>
<p>
  &ldquo;You know I&rsquo;m good for it. I&rsquo;m working tomorrow. Are you  working?&rdquo;</p>
<p>
  &ldquo;No,&rdquo; I say.</p>
<p>
  &ldquo;Then I&rsquo;ll come to your house with it after work. Just for  tonight.&rdquo;</p>
<p>
  I sigh and reach into my pants pocket. I made decent money  all week before this, so it&rsquo;s not a giant loss for me. I can already tell she won&rsquo;t leave me alone until I give her what she wants.</p>
<p>
  &ldquo;Forget it,&rdquo; I say. &ldquo;Get it back to me when you&#8217;ve got it.&rdquo;</p>
<p>
  &ldquo;Are you sure?&rdquo; Sharon  wheedles, already pocketing the cash.</p>
<p>
  Fuck it. Nothing matters these days anymore, not really. Sixty bucks out of a hundred and fifty just essentially means that this night never happened.</p>
<p>
  I offer a sardonic little half smile. &ldquo;Don&rsquo;t worry about it.  It&rsquo;s not like I don&rsquo;t know where you live.&rdquo;</p>
<p>* * *</p>
<p>
<p><em>There are 14 more chapters in Servicing the Pole. If you&#8217;d like to read the final chapters, please email </em><b>lauri AT laurishaw DOT com</b><em>. I will send you a PDF of the whole book. Thanks again for reading my work!</em?</p></p>
]]></content:encoded>
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		<title>THIRTY-SIX</title>
		<link>http://www.laurishaw.com/thirty-six/</link>
		<comments>http://www.laurishaw.com/thirty-six/#comments</comments>
		<pubDate>Mon, 11 May 2009 15:00:22 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=742</guid>
		<description><![CDATA[&#8220;This is my least favorite time of  year. It&#8217;s not like you can make a snow angel in Manhattan.&#8221;</p><p>
  &#8220;Central Park,&#8221; Sharon  says brightly as she gets into the car.</p><p>
  &#8220;Oh, hell, honey, don&#8217;t tell me you&#8217;re one of those Pollyanna  Silver Lining types.&#8221;</p><p>
  Sharon tosses  her coat into the backseat of the car and puts on her seatbelt. Out of the  corner of my eye, I catch her expression. One eyebrow is raised, and she&#8217;s  smirking.</p><p>
  &#8220;Not even close,&#8221; she says, peeling off her gloves.</p><p>
  Her track marks aren&#8217;t the worst I&#8217;ve ever seen. In fact  they&#8217;re pretty faint. She looks at me as if she expects me to be shocked.</p><p>]]></description>
			<content:encoded><![CDATA[<p>Same night, different club. Or is it same club, different night? All these places are alike. I&#8217;m listening to bad music muffled by a worse P.A. and trying to convert time into money. I&rsquo;ve lost count of how many auditions I went on after leaving Angels. It&#8217;s just finally come down to needing a source of income. So here I am.</p>
<p>
  There&rsquo;s not much action yet. It&rsquo;s the same old story &#8211; I&rsquo;ve tried every guy in the room. They&rsquo;re each going dollar for dollar at the  stage. This place doesn&rsquo;t see nearly as much traffic as Angels does. Still,  I&rsquo;ve worked at Lucille&rsquo;s for about a week now and it&rsquo;s tolerable. On average,  I&rsquo;m going home with about three hundred a night. Which isn&rsquo;t great for a nude club, but it&rsquo;ll keep me from starving.</p>
<p>
  I light a second cigarette off the butt I&rsquo;m smoking. I eye the stage. It&rsquo;s a nice one, I have to admit that. You&rsquo;d never think so from the street level, where a doorman stands under an awning and ushers men into a dark elevator. But the crowd&#8217;s so thin. I&#8217;ll bet that elevator is a deal-breaker for plenty of marks, who are horrified thinking about what urban legend might be waiting for them here on the fourth floor. I know I would be. </p>
<p>
  Once they&rsquo;re in, though, the front room opens up into a low-lit  ballroom. The shiny, massive stage contains three long poles. There&rsquo;s fake  shrubbery behind some of the tables. The whole place looks almost elegant.</p>
<p>
  On my first day at work, I was warned about the cameras that  monitor the private rooms, forcing everyone&rsquo;s game on to the same level &#8211; no extras, no exceptions. Sam the bouncer is huge and friendly. I feel safer here than I  did in any other club.</p>
<p>
  My eyes light on the girl who is crawling the length of the grand wooden stage. She manages to stop me in my tracks without even catching my eye, because I think maybe I know her.</p>
<p>
  The hair is different &ndash; this girl&#8217;s got hers done like Marilyn  Monroe. I&rsquo;m not close enough to see much more. She pulls her dress  down, revealing a pair of large, fake breasts that I am positive my old friend  didn&rsquo;t have. But anything can change in a couple of years. And in my  experience, it usually does.</p>
<p>
  The girl onstage notices my reaction to her. She waves to  me. I squint and try to figure out whether that girl I knew in what seems like another lifetime would have found her way into a place like this. I&rsquo;m not sure how I feel about it if she has.</p>
<p>
  I&rsquo;m also not sure why I care. My life before strip clubs may  as well not exist. If that&#8217;s the person I think it is, a conversation will be  awkward. How can I explain my presence here? Do I have any right to ask about hers?</p>
<p>
  I continue to stare despite myself. Maybe I&rsquo;m just  lonely. There are Christmas displays in every store window now. The holiday season seems geared towards reminding people like me that we <em>are</em> the less fortunate.</p>
<p>
  Barry has stayed  gone this time. I haven&rsquo;t seen the sun in over a month. Sean&rsquo;s away at school, and I think he&rsquo;s still pretty upset with  me. My social circle was limited to begin with. Now it&rsquo;s nonexistent. I work, I  go home, I get high, and I pass out. Rinse and repeat. When I don&rsquo;t work, I curl  up in front of the TV and watch movies on HBO. Often they&rsquo;re the same movies,  over and over again.</p>
<p>
  I didn&rsquo;t notice when the Marilyn Monroe girl got dressed and  left the stage. But now she plunks down in the chair next to me, smiling.</p>
<p>
  &ldquo;I saw you watching me dance,&rdquo; she says.</p>
<p>
  &ldquo;Oh, yeah, I was. I&rsquo;m sorry,&rdquo; I say as I get a good look at  her close up for the first time. I was mistaken. I&rsquo;ve never seen her before. &ldquo;I  thought you were somebody else.&rdquo;</p>
<p>
  &ldquo;I <em>am</em> somebody  else,&rdquo; she quips. &ldquo;So are you.&rdquo;</p>
<p>
  I laugh with her, relieved that she isn&rsquo;t who I thought she  was. &ldquo;Fair enough.&rdquo;</p>
<p>
  &ldquo;How long have you worked here?&rdquo; she asks.</p>
<p>
  &ldquo;About a week,&rdquo; I reply.</p>
<p>
  &ldquo;Like it?&rdquo;</p>
<p>
  &ldquo;Heh. Um. S&rsquo;okay.&rdquo;</p>
<p>
  &ldquo;It gets better,&rdquo; she assures me. &ldquo;I&rsquo;ve made eight hundred  in one night a few times.&rdquo;</p>
<p>
  &ldquo;Ever break a G?&rdquo; I ask.</p>
<p>
  &ldquo;Not in this club,&rdquo; she admits.</p>
<p>
  I shrug. &ldquo;It&rsquo;s not as bad as the new place on the West Side  Highway.&rdquo;</p>
<p>
  A fairly attractive, forty-ish mark wearing a suit and shiny black shoes wanders up to us and then he just stands there, beaming. We both smile  politely. But she&rsquo;s the one he&rsquo;s looking at.</p>
<p>
  &ldquo;You&rsquo;re gorgeous,&rdquo; he pants. &ldquo;What&rsquo;s your name?&rdquo;</p>
<p>
  &ldquo;I&rsquo;m Kelly,&rdquo; she says, extending her hand. She&rsquo;s wearing  long, white opera gloves that go nicely with her blue, satin gown. &ldquo;And who are  you, doll?&rdquo;</p>
<p>
  The mark takes her hand. &ldquo;Kelly, will you dance for me?&rdquo;</p>
<p>
  &ldquo;Certainly,&rdquo; she says. She winks at me and gets out  of her seat, wrapping an arm around the mark&rsquo;s shoulder and holding her body  close to his. In her stilettos, she dwarfs him as they walk off together toward the dance room. She&rsquo;s got to be six feet tall in those things.</p>
<p>
  I hear my stage name over the P.A. I try to look happy &#8211; or at least, not look miserable &#8211; as I climb onstage.</p>
<p>
  These poles are three times the size of the ones at Angels, and I&rsquo;m almost intimidated by their sheer length. I climb to the ceiling and then flip backwards to hang upside down.</p>
<p>
  I strain to stay in position. Blood rushes to my head. No  one is watching me.</p>
<hr />
<p>At the end of the night, the Monroe  girl glides into the dressing room and parks herself behind me as I pull my street  clothes out of my locker.</p>
<p>
  &ldquo;What&rsquo;re you doing now?&rdquo; she wants to know.</p>
<p>
  &ldquo;I dunno&#8230; a diner, then bed?&rdquo; I say, surprised.</p>
<p>
  &ldquo;Wanna hang out?&rdquo;</p>
<p>
  &ldquo;Where?&rdquo;</p>
<p>
  &ldquo;My place. Come meet my boyfriend, Willy. He used to DJ  here, and he&rsquo;s really cool. I don&rsquo;t meet a lot of girls that I like very much. You have a certain&hellip;&rdquo; She cocks her head to one side, studying me. &ldquo;I  want to say <em>panache</em>, and I don&rsquo;t know  what that sounds like to you.&rdquo;</p>
<p>
  &ldquo;Well, I don&rsquo;t have to work tomorrow,&rdquo; I say. I don&rsquo;t  know why, but I like this girl. </p>
<p>
  &ldquo;Then you&rsquo;ll come visit us,&rdquo; she says, linking arms with me. </p>
<p>
  She&rsquo;s a charming broad. It&rsquo;s impossible for me to say no. Besides, what else have I got going on? An empty house and an empty bed.</p>
<p>
  &ldquo;I&rsquo;m Sharon,&rdquo;  she adds. She thrusts her body into a tight pair of jeans, and throws on a fake fur coat right over the opera gloves.</p>
<p>
  &ldquo;I heard you say your name was Kelly,&rdquo; I remark. &ldquo;Sharon&rsquo;s  your real name?&rdquo;</p>
<p>
  &ldquo;They&rsquo;re both my real names, honey,&rdquo; she responds. &ldquo;Kelly&rsquo;s  my last name. Sharon Kelly.&rdquo; She bows low. &ldquo;At your service.&rdquo;</p>
<p>
  We walk out of the dressing room together and towards the  elevator.</p>
<p>
  &ldquo;I&rsquo;ll pay for the cab. I made money tonight,&rdquo; Sharon  offers.</p>
<p>
  &ldquo;That&rsquo;s okay. I have my car.&rdquo;</p>
<p>
  The elevator is packed. I hope I&rsquo;m only imagining that I  can hear it strain and creak on its pulley. It takes forever before it delivers  us to the ground floor and relative safety.</p>
<p>
  &ldquo;Good night, Buddy,&rdquo; Sharon  says to the doorman. </p>
<p>
  I nod to him also. He smiles at us. I&rsquo;ve never really  looked at him. Now I notice he&rsquo;s missing a few teeth. He&rsquo;s probably  lost as many as Barry has. <em>Must be in  style this year</em>. I cringe.</p>
<p>
  &ldquo;My car&rsquo;s this way,&rdquo; I say. We step over sheets of ice on  the uneven sidewalk, and the wind nearly pushes us over. </p>
<p>
  &ldquo;I hope it snows for Christmas,&rdquo; Sharon  says. </p>
<p>
  &ldquo;Why fuckin&rsquo; not? It&rsquo;s snowed almost every day since  Thanksgiving,&rdquo; I grumble.</p>
<p>
  &ldquo;You don&rsquo;t like snow? I love it. I think it&rsquo;s pretty.&rdquo;</p>
<p>
  &ldquo;I think it&rsquo;s annoying,&rdquo; I say, opening the car door and  gasping a little at how cold the handle is. &ldquo;This is my least favorite time of  year. It&rsquo;s not like you can make a snow angel in Manhattan.&rdquo;</p>
<p>
  &ldquo;Central Park,&rdquo; Sharon  says brightly as she gets into the car.</p>
<p>
  &ldquo;Oh, hell, honey, don&rsquo;t tell me you&rsquo;re one of those Pollyanna  Silver Lining types.&rdquo;</p>
<p>
  Sharon tosses  her coat into the backseat of the car and puts on her seatbelt. Out of the  corner of my eye, I catch her expression. One eyebrow is raised, and she&rsquo;s  smirking.</p>
<p>
  &ldquo;Not even close,&rdquo; she says, peeling off her gloves.</p>
<p>
  Her track marks aren&rsquo;t the worst I&rsquo;ve ever seen. In fact  they&rsquo;re pretty faint. She looks at me as if she expects me to be shocked.</p>
<p>
  I nod, and start the car. <em>Another junkie. Big deal.</em> &ldquo;Okay. So where do you live?&rdquo;</p>
<p>
  &ldquo;Spanish Harlem,&rdquo; Sharon replies. &ldquo;Drive all the way up Park   Avenue. I&rsquo;ll show you where to turn.&rdquo;</p>
<p>
  I flip a knob, and the Damned comes blasting out through my  speakers. I turn it down to a more acceptable level. &ldquo;This okay with you?&rdquo;</p>
<p>
  &ldquo;Oh, cool, I love all kinds of music,&rdquo; she breathes.</p>
<p>
  Crosstown traffic is easy at this hour. I adore driving  through Manhattan at four-thirty A.M., before anyone&rsquo;s awake, when it still feels like  nighttime. There&rsquo;s a certain peace to it. Especially once we get to Park  Avenue, where I turn the radio off so I can listen to the neighbourhood&#8217;s slumbering silence.</p>
<p>
  &ldquo;We just have to make a quick stop once we get across the  street from my house,&rdquo; Sharon says. &ldquo;I didn&rsquo;t procure my evening&rsquo;s entertainment before work.&rdquo;</p>
<p>
  I give her a sidelong look. &ldquo;Are they out this late? Or  early, I guess.&rdquo;</p>
<p>
  &ldquo;Yeah, actually, this is the best time,&rdquo; she says. &ldquo;It&rsquo;s  harder during the day. You wait in the car, huh? They know me. Better they  don&rsquo;t see your face. You probably look like five-oh to them.&rdquo;</p>
<p>
  &ldquo;<em>I</em> look like a  cop?&rdquo; That&rsquo;s actually pretty funny.</p>
<p>
  &ldquo;Well, you know. Not to me, but to these guys maybe. You&rsquo;re  cute and skinny and white.&rdquo;</p>
<p>
  &ldquo;How do you get  away with it then?&rdquo;</p>
<p>
  &ldquo;Before they knew me, I used to send Willy. He&rsquo;s Mexican.&rdquo;</p>
<p>
  &ldquo;Yeah? Your boyfriend&rsquo;s from Mexico?&rdquo;</p>
<p>
  &ldquo;No. He&rsquo;s from New Jersey.&rdquo;</p>
<p>
  Park Avenue narrows dramatically and divides as we get farther uptown. The car bounces over potholes and other giant blemishes in the pavement. Within a few blocks, the whole neighborhood has  changed. </p>
<p>
  &ldquo;Okay, make a right,&rdquo; Sharon  says, sitting up. &ldquo;Yeah. Here&rsquo;s my place. Park in front of it.&rdquo;</p>
<p>
  I parallel park next to a grimy sidewalk in front of an old,  dark brick building that looks as if it should be condemned. </p>
<p>
  &ldquo;I&rsquo;ll just be a minute or two, okay?&rdquo; Sharon  slams the car door behind her without waiting for an answer. I watch her run  across the street towards the projects, and then she disappears around the corner.</p>
<p>
  I crouch down in the car in front of the steering wheel. I  want her to hurry. I&rsquo;m feeling like maybe I&rsquo;m a little bit out of my element.</p>
<p>
  When she reappears, she looks jubilant. &ldquo;China  white tonight,&rdquo; she exclaims in a singsong voice. &ldquo;Come on inside. Oh, Willy&rsquo;s  gonna be so happy.&rdquo;</p>
<p>
  Her apartment is a tiny room &#8211; scarcely larger than a  walk-in closet, and sparsely furnished. I doubt it&#8217;s been painted since the place was built. There&rsquo;s a loft in one corner, and in the other, a mini-fridge with a hot-plate on top of it. </p>
<p>
  &ldquo;I&rsquo;m sorry about the mess,&rdquo; Sharon  chirps to me, and then, &ldquo;Hi, baby! Guess what I got!&rdquo;</p>
<p>
  She kisses the tall, lean olive-skinned guy with the sideburns and gentle eyes, and opens her palm to reveal five glassines. He  smiles at her. He has a warm smile, which widens when he takes my hand to shake  it. He can&rsquo;t be older than twenty-five. I like him immediately.</p>
<p>
  &ldquo;I&rsquo;m Willy,&rdquo; he says shyly. &ldquo;Welcome to our home. I&rsquo;m so  sorry, if I knew Sharon was  bringing anyone home I would have cleaned up.&rdquo;</p>
<p>
  &ldquo;Don&rsquo;t worry,&rdquo; I say, although the place does indeed look  awful. There are crumpled tissues and empty cereal boxes on the floor lying next to jeans, shirts and bunched up towels. There&rsquo;s a colorless rug buried somewhere  underneath all that &#8211; here and there I can see squares of it.</p>
<p>
  &ldquo;I wish I had something to offer you, a drink maybe. We  didn&rsquo;t go shopping yet this week,&rdquo; Willy continues.</p>
<p>
  &ldquo;Can I use your bathroom?&rdquo; I ask.</p>
<p>
  Sharon hands me  a key and a roll of toilet paper. &ldquo;Round the corner, last door on the right  hand side,&rdquo; she says. &ldquo;Don&rsquo;t worry if you see any of the neighbors. They&rsquo;re  harmless.&rdquo;</p>
<p>
  Their hallway is as depressing as the rest of the building. And the bathroom smells like old piss. As if no one&rsquo;s ever cleaned up behind years of drunken men missing the toilet bowl. I make an effort to breathe only  through my mouth, and I hover over the seat while I pee. When I wash my hands,  there&rsquo;s no place to dry them except for my jeans.</p>
<p>
  I return to Sharon&rsquo;s  room, where I&#8217;m surprised to see Buddy, the doorman from Lucille&rsquo;s, sitting in  the corner.</p>
<p>
  &ldquo;You didn&rsquo;t tell me you had company,&rdquo; Buddy mumbles to Sharon,  nodding at me.</p>
<p>
  &ldquo;She&rsquo;s cool, I promise. She won&rsquo;t say anything,&rdquo; Sharon  answers. &ldquo;Willy got fired when they found out I was dating him,&rdquo; she explains  to me. &ldquo;They don&rsquo;t know Buddy hangs out with us. Do you want a bump?&rdquo;</p>
<p>
  I nod, and she hands me a glassine with a few crumbs  left in it. I pour the contents on my hand and snort them. It&rsquo;s not enough. I  don&rsquo;t feel anything. I&rsquo;m the only person I know who does dope but won&rsquo;t  shoot up. Maybe that&rsquo;s why for me, heroin is no different from any other party drug.</p>
<p>
  Buddy looks like he&rsquo;s much older than we are. I don&rsquo;t  understand why he&rsquo;s even in the picture until he rolls up his sleeve and starts  tying off.</p>
<p>
  A few minutes later, his sweaty face has turned purple from the exertion of searching for a vein in his arm that will take the shot. He&rsquo;s  hunched over the needle, muttering to himself as he grows more and more desperate.  Finally he asks Willy to shoot it into his neck. I turn away. I can&rsquo;t watch this.</p>
<p>
  &ldquo;Hey, you have an audition tomorrow, remember?&rdquo; Willy says  to Sharon. &ldquo;You have to get some  sleep.&rdquo;</p>
<p>
  &ldquo;I&rsquo;m not tired,&rdquo; Sharon  says airily. &ldquo;What time did I need to be there? Maybe I&rsquo;ll just stay up.&rdquo;</p>
<p>
  Both of them ignore Buddy, who is nodding in the corner.</p>
<p>
  &ldquo;Last time you did that, you complained that you had puffy  eyes and they didn&rsquo;t call you back,&rdquo; Willy reminds her. &ldquo;Sharon  almost wound up on a soap last month,&rdquo; he tells me.</p>
<p>
  &ldquo;It&rsquo;ll be fine,&rdquo; Sharon  snaps.</p>
<p>
  &ldquo;Hey, if you&rsquo;ve got stuff to do, I need to get home and  sleep anyway,&rdquo; I interject. &ldquo;And I&rsquo;m sure my cats are hungry.&rdquo;</p>
<p>
  &ldquo;We&rsquo;re hanging out again though,&rdquo; Sharon  says. It sounds like more of an order than an invitation.</p>
<p>
  &ldquo;Of course,&rdquo; I say, putting my coat on.</p>
<p>
  &ldquo;Are you working on Friday? They have a Christmas party that  night.&rdquo;</p>
<p>
  &ldquo;I think so, yeah.&rdquo;</p>
<p>
  &ldquo;Great,&rdquo; she says. &ldquo;Don&rsquo;t make any other plans. We&rsquo;ll go to  after-hours. Okay, Willy?&rdquo;</p>
<p>
  &ldquo;Sharon, we  don&rsquo;t have money for after-hours,&rdquo; Willy says.</p>
<p>
  &ldquo;Shut up. You know I can make money whenever we need it.  Quit being such a buzzkill.&rdquo; </p>
<p>
  He shrugs. &ldquo;Sure, okay. I&rsquo;ll see you soon,&rdquo; he says to me. </p>
<p>
  Sharon comes  over and gives me a big hug. &ldquo;You should let me do your eye makeup for the  party,&rdquo; she says.</p>
<p>
  &ldquo;Thanks for coming over,&rdquo; Willy says. &ldquo;It&rsquo;s nice to meet  you.&rdquo;</p>
<p>
  &ldquo;Come back soon!&rdquo; Sharon  says.</p>
<p>
  They&rsquo;re both still smiling when the door closes. I&rsquo;m not  even halfway down the hall before I hear the muffled arguing begin.</p>
<p>
  &ldquo;I said, don&rsquo;t tell me what to do!&rdquo; That&rsquo;s her voice.</p>
<p>
  &ldquo;Okay, then do whatever the hell you want &ndash; I don&rsquo;t care!&rdquo;</p>
<p>
  I suppose Buddy&rsquo;s used to their quarrels. There&rsquo;s not a peep  out of him.</p>
<p>
  I shake my head, and continue walking to my car, glad that  for a change, it isn&rsquo;t me doing the yelling.</p>
]]></content:encoded>
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		<title>THIRTY-FIVE</title>
		<link>http://www.laurishaw.com/thirty-five/</link>
		<comments>http://www.laurishaw.com/thirty-five/#comments</comments>
		<pubDate>Mon, 04 May 2009 15:00:58 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=740</guid>
		<description><![CDATA[&#8220;I don&#8217;t know what you want me to say. Except all those  things you just told me? Those are the songs we should be writing.&#8221;</p><p>
  &#8220;Oh, yeah, right. Let&#8217;s tell the  whole world how easy it is to fuck me over. Let&#8217;s write across the sky in giant  letters that I&#8217;m a victim.&#8221;</p><p>
  &#8220;You think if bad things happen to you, it automatically means you&#8217;re a victim?&#8221;</p><p>
  &#8220;Honestly? Yeah. That&#8217;s what I think.&#8221;</p><p>]]></description>
			<content:encoded><![CDATA[<p>&ldquo;You don&rsquo;t sound good at all,&rdquo; Sean says immediately when I  pick up the phone.</p>
<p>
  &ldquo;You&rsquo;re observant,&rdquo; I answer.</p>
<p>
  I&#8217;ve been up all night doing coke and drinking.  I think I slept for an hour, but I&rsquo;m not really sure. My head aches. My body  feels dried up and wrung out. I could probably sleep for the rest of the week.  Goddamned phone. I should have turned off the ringer.</p>
<p>
  &ldquo;Do you still want me to come over?&rdquo;</p>
<p>
  &ldquo;I didn&rsquo;t even know you were in town.&rdquo;</p>
<p>
Usually I want to see Sean. But not today. Today I don&#8217;t want to see anyone.</p>
<p>
  &ldquo;I told you last time I saw you that I&rsquo;d be here today. Remember?  We said we&rsquo;d finish the song.&rdquo;</p>
<p>
  &ldquo;I hate that song.&rdquo;</p>
<p>
  &ldquo;Oh.&rdquo; Sean sounds hurt. &ldquo;We could work on something  else then, I guess.&rdquo;</p>
<p>
  &ldquo;We&rsquo;re wasting our time.&rdquo;</p>
<p>
  I shouldn&rsquo;t be taking this out on him. He&rsquo;s the only person I know who&#8217;s nice to me. I want to hang up and start fresh from a different place. But I can&rsquo;t stop. All my hurt has surfaced and is now yanking the strings for me. &ldquo;<em>No do-overs!</em>&rdquo;  taunts a childish voice in my head. My logical self is sitting this one out.</p>
<p>
  &ldquo;I&rsquo;ve never felt that way,&rdquo; he says. &ldquo;Working  with you is great.&rdquo;</p>
<p>
  &ldquo;Yeah? Then why haven&rsquo;t we finished it yet?&rdquo; Now I&rsquo;m  simply being mean.</p>
<p>
  &ldquo;You know I just had mid-terms. I&rsquo;m practically flunking out of school. I&rsquo;m on a  scholarship! Which I&rsquo;ll lose if I don&rsquo;t straighten out this semester.&rdquo;</p>
<p>
  &ldquo;Well, it&rsquo;s good to see where your priorities lie, college  boy,&rdquo; I retort.</p>
<p>
  <em>Stop it, just stop it! I don&rsquo;t want to do this, and I can&rsquo;t  do anything else right now. Just go away and come back when I feel like a human  being.</em></p>
<p>
  &ldquo;Hey, fuck you.&rdquo; Sean has just passed over from hurt into  angry. &ldquo;When did you start becoming such a bitch?&rdquo;</p>
<p>
  &ldquo;Oh, I don&rsquo;t know,&rdquo; I say sarcastically. &ldquo;Maybe the last  time Barry hit me? Did you know he hit me?&rdquo; I hear Sean catch his breath. The rest of my diatribe comes spewing out. &ldquo;Of course you didn&rsquo;t, because I never told  you. Did you know that Barry and Alannah used me up and then both left me high and dry? Did you  know I quit Angels because the bouncers wouldn&rsquo;t protect me from a posse of  ugly, dirty street rats? On that note&hellip; did you know I once got raped in a strip  club before I knew how to keep these fuckers at bay? Management did nothing.  That&rsquo;s right, you heard me, <em>nothing</em>.  They knew&hellip; Yeah, you don&rsquo;t know the first thing about my life. You only know  what I tell you. I&rsquo;ve kept it simple for you. I wanted you to think I was  different.&rdquo;</p>
<p>
  He&rsquo;s silent for long enough that I wonder whether he&#8217;s  still on the line. Then he says, &ldquo;You are different. At least, you&rsquo;ve always <em>been</em> different. You&rsquo;re smart. You&rsquo;re  nice. You&rsquo;re incredibly fucking talented. Your voice would move people if more people could hear it.&rdquo;</p>
<p>
  &ldquo;Fat chance, honey,&rdquo; I say. &ldquo;The only thing about me  that&rsquo;s ever gonna move anyone is my ass grinding in his lap.&rdquo;</p>
<p>
  &ldquo;That&rsquo;s a harsh way to look at yourself.&rdquo;</p>
<p>
  No shit, Sean.</p>
<p>
  &ldquo;I got it straight from the horse&rsquo;s mouth. Fuck it. I&rsquo;m  done.&rdquo;</p>
<p>
  &ldquo;Done? What are you done with?&rdquo; Now he sounds like he feels  almost as lousy as I do.</p>
<p>
  &ldquo;DONE! Just done. Time to accept my lot in life and get on  with it.&rdquo; I hear him exhale on the other end.  &ldquo;Look, Sean&hellip;&rdquo; I try to make my voice gentler. This is a challenge alongside the  permanent cocaine rasp it seems to have taken on. &ldquo;I&rsquo;m sorry for letting you  believe I was better than I am. Truth is, I&rsquo;m as damaged as any other stripper  you&rsquo;ve ever seen. Maybe more.&rdquo;</p>
<p>
  &ldquo;That&rsquo;s not true,&rdquo; he objects. &ldquo;The shit you just told me is  horrible. And I&rsquo;m sorry.&rdquo;</p>
<p>
  &ldquo;Don&rsquo;t you <em>dare</em> go feeling sorry for me!&rdquo;</p>
<p>
  It&rsquo;s a stupid thing to say, especially in light of the  amount of time I spend feeling sorry for myself.</p>
<p>
  &ldquo;I don&rsquo;t know what you want me to say. Except all those  things you just told me? Those are the songs we should be writing.&rdquo;</p>
<p>
  &ldquo;Oh, yeah, right.&rdquo; I&rsquo;ve gone flat again. &ldquo;Let&rsquo;s tell the  whole world how easy it is to fuck me over. Let&rsquo;s write across the sky in giant  letters that I&rsquo;m a victim.&rdquo;</p>
<p>
  &ldquo;You think if bad things happen to you, it automatically means you&rsquo;re a victim?&rdquo;</p>
<p>
  &ldquo;Honestly? Yeah. That&rsquo;s what I think.&rdquo;</p>
<p>
  &ldquo;You know, I never told you a lot about my life, either.  Maybe you&#8217;d think I&rsquo;m a victim, too.&rdquo;</p>
<p>
  His statement catapults me back into reality. I feel a pang  of remorse for how selfish I&rsquo;m being. I try to make amends. &ldquo;Sean, I could&rsquo;ve  put up with any of what I just told you as long as I believed I had an out, and  that out was music. But I don&rsquo;t anymore. So I have nothing left to look forward  to.&rdquo;</p>
<p>
  &ldquo;You know what? I went to Catholic school. The nuns gave us coloring books that said &lsquo;Jesus loves you&rsquo;. I used to believe that. I guess the  people I love best are supposed to be with Jesus now, too. &lsquo;Cause most of &lsquo;em  are dead. So I got sold on a bunch of garbage about God that I no longer  believe. Am I supposed to pack it in, too?&rdquo;</p>
<p>
  &ldquo;I met some A&amp;R reps the other day, and they said I was  a terrible singer. &lsquo;Caterwauling&rsquo; was the word I think they used. That&rsquo;s about  the same as God coming down from his fluffy cloud and announcing that I shalt  not bother playing music. So, I see your Jesus, and I raise you four pudgy  A&amp;R reps,&rdquo; I say.</p>
<p>
  &ldquo;What kind of music did these guys rep?&rdquo; Sean asks.</p>
<p>
  &ldquo;Who cares? I think they would know better than you and I  would about whether I should keep on singing.&rdquo;</p>
<p>
  &ldquo;All right.&rdquo; He sounds tired and discouraged. &ldquo;I&rsquo;m not gonna  argue with you anymore. Call me some time if you want to. I&rsquo;ll be home for  winter break. Ball&rsquo;s in your court now, okay? I&rsquo;ll talk to ya.&rdquo;</p>
<p>
  &ldquo;Hey, wait! Sean!&rdquo; I realize that I&rsquo;d like to see him  anyway, even if I don&rsquo;t feel like working on our tune.</p>
<p>
  It&rsquo;s too late. He&rsquo;s hung up the phone.</p>
]]></content:encoded>
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		</item>
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		<title>THIRTY-FOUR</title>
		<link>http://www.laurishaw.com/thirty-four/</link>
		<comments>http://www.laurishaw.com/thirty-four/#comments</comments>
		<pubDate>Mon, 27 Apr 2009 15:00:53 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=737</guid>
		<description><![CDATA[&#8220;You don&#8217;t&#8230;&#8221; I trail off and then begin once more in wonder.  &#8220;This is never gonna change, is it?&#8221;</p><p>
  He doesn&#8217;t respond.</p><p>
  &#8220;Barry, I&#8217;m talking to you.&#8221;</p><p>
  &#8220;I HEAR YOU!&#8221; he explodes, throwing the book across the  room. It ricochets off the wall and lands in the middle of the floor with its  spine split.</p><p>]]></description>
			<content:encoded><![CDATA[<p>&ldquo;Maybe it&rsquo;s time you hung it up,&rdquo; Barry suggests, without  looking up from the well-worn Robert Jordan novel that I&rsquo;ve seen him read at  least three times.</p>
<p>
  &ldquo;Oh, yeah, <em>that&rsquo;ll</em> happen,&rdquo; I sneer. I fling my coat onto a chair, and heave my body onto the  couch next to him. I&rsquo;m completely exhausted. &ldquo;Do we have any more weed?&rdquo; I ask.</p>
<p>
  Barry hands me a roach that was a badly rolled joint in a  previous incarnation, and I light it, wincing at the hideous taste.</p>
<p>
  &ldquo;I can&rsquo;t make money at any of these new clubs,&rdquo; I sigh.</p>
<p>
  &ldquo;Angels was your groove,&rdquo; he replies.</p>
<p>
  &ldquo;Fuck that place!&rdquo; I say sharply. &ldquo;Angels is a whorehouse.&rdquo;</p>
<p>
  Now he does look up. &ldquo;They&rsquo;re <em>all</em> whorehouses, baby. When are you gonna realize that?&rdquo;</p>
<p>
  &ldquo;So you keep saying.&rdquo; I take a deep breath. &ldquo;Barry, you and  I need to talk.&rdquo;</p>
<p>
  He rolls his eyes, shuts the book and straightens in his  seat. He assumes an exaggerated posture and stares at me expectantly. &ldquo;What?&rdquo;</p>
<p>
  &ldquo;The thing is,&rdquo; I begin. &ldquo;Nothing&rsquo;s come in now for almost a  month. I was losing money while Alannah was here. Now I&rsquo;m burning through my  savings.&rdquo;</p>
<p>
  &ldquo;I told you she was gonna take you for a ride,&rdquo; he says. He  crosses his legs and uncrosses them. They&rsquo;re gangly &ndash; too long for his body. </p>
<p>
  &ldquo;Right&hellip; Okay, so this isn&rsquo;t actually about Alannah,&rdquo; I  say. &ldquo;Barry, I really need you to get a job.&rdquo;</p>
<p>
  &ldquo;You know, there are other gigs out there besides  stripping.&rdquo; </p>
<p>
  &ldquo;This isn&rsquo;t about whether I can make money or not. I&rsquo;ve been  taking care of you for years. You&rsquo;re a grown man. It&rsquo;s not fair.&rdquo;</p>
<p>
  He blows cigarette smoke out the side of his mouth. &ldquo;You  thought about bartending?&rdquo;</p>
<p>
  I tap my fingers on the coffee table and suck my teeth.  After a minute or two of this pregnant silence, Barry picks up his paperback  and opens it again.</p>
<p>
  &ldquo;You don&rsquo;t&hellip;&rdquo; I trail off and then begin once more in wonder.  &ldquo;This is never gonna change, is it?&rdquo;</p>
<p>
  He doesn&rsquo;t respond.</p>
<p>
  &ldquo;Barry, I&rsquo;m talking to you.&rdquo;</p>
<p>
  &ldquo;I HEAR YOU!&rdquo; he explodes, throwing the book across the  room. It ricochets off the wall and lands in the middle of the floor with its  spine split.</p>
<p>
  I bite my lip. &ldquo;Okay, Barry, you have to go.&rdquo;</p>
<p>
  &ldquo;Fuck you,&rdquo; he dismisses me.</p>
<p>
  &ldquo;Do I need to call the cops again?&rdquo;</p>
<p>
  He moves from the couch and stands over me. It&rsquo;s a jailhouse  threat. I take the bait, pulling myself up to my full height. We glower at each  other. </p>
<p>
  &ldquo;Do you know what a pain in the ass it is to deal with you?&rdquo;  he seethes. &ldquo;You&rsquo;re the reason I <em>can&rsquo;t</em> get a job. Maybe if you&rsquo;d quit nagging me so much, I could handle the stress of  looking for work!&rdquo;</p>
<p>
  &ldquo;Bullshit!&rdquo;</p>
<p>
  He&rsquo;s too close. I push him off-balance, and start to walk  away towards the telephone. He sees where I&rsquo;m headed and shoves me in the other  direction. I fly backwards. My head hits the corner of the coffee table.</p>
<p>
  &ldquo;MotherFUCKER!&rdquo; I squawk. When the pain hits, it starts as a  slow throb, and then spreads until my eyeballs ache.</p>
<p>
  &ldquo;Oh, Christ,&rdquo; Barry says, all the anger instantly draining  itself from his face. &ldquo;Baby, you okay?&rdquo; He gets down on his knees in front of  me and goes to touch the back of my head. &ldquo;I&rsquo;ll get you some ice.&rdquo;</p>
<p>
  I slap his hand away and close my eyes. &ldquo;Please just go,&rdquo; I  whisper. I sink all the way down onto the living room floor, pressing my face  to the cold wood.</p>
<p>
  He complies. I can hear him rustling around the room,  ostensibly collecting his things. A few minutes later, the door to the  apartment bangs shut.</p>
<p>
  I wait until I&rsquo;m positive he&rsquo;s not coming back before I&rsquo;ll  allow the tears to start.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>THIRTY-THREE</title>
		<link>http://www.laurishaw.com/thirty-three/</link>
		<comments>http://www.laurishaw.com/thirty-three/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 15:00:14 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=733</guid>
		<description><![CDATA[I look down at their cards. She&#8217;s A&#38;R for a  record label I&#8217;ve never heard of. He&#8217;s the CEO. &#8220;That&#8217;s really cool,&#8221; I  comment. &#8220;Is it a fun job?&#8221;</p><p>
  &#8220;Yeah, I like it,&#8221; she answers.</p><p>
  <em>What else is she going  to say in front of the boss?</em> I feel silly for asking the question. An  A&#38;R rep &#8211; of course she likes her job. I clamber back up the pole and do a  trick. The three guys clap politely, and throw more money up on the stage.</p><p>
  I should be living in their world, not this one. I wish  there was some way that I could let them know I don&#8217;t belong here.</p><p>]]></description>
			<content:encoded><![CDATA[<p>By the time I reach the seventh audition I&rsquo;ve been to in  almost as many days, I&rsquo;ve lost count of how much cash I&rsquo;ve spent trying to find  a new job. Some clubs won&rsquo;t hire me because I don&rsquo;t look like the girls they&rsquo;ve  already got. Other places are just too damned dead for me to justify paying house fees to the owners. I&rsquo;m thinking this  Merry-Go-Round place may be one of them. It&rsquo;s empty. </p>
<p>
  The manager asks me to stay for the rest of the shift after  he sees me dance. He says he&rsquo;ll waive tip-out. &ldquo;We need more white girls,&rdquo; he  tells me plainly.</p>
<p>
  From what I&rsquo;ve observed so far, the girls here spend most of  their time in the dressing room, playing cards and bullshitting. The  conversations I&rsquo;ve overheard have run along these lines:</p>
<p>
  &ldquo;Public assistance ain&rsquo;t really no thing.&rdquo;</p>
<p>
  &ldquo;Yeah? How long I&rsquo;ma have to wait for it?&rdquo; </p>
<p>
  &ldquo;Depends. You got kids?&rdquo;</p>
<p>
  &nbsp;&ldquo;Nah.&rdquo;</p>
<p>
  &ldquo;Well, so maybe longer than I did, <em>chica</em>. But when you get it, it&rsquo;s all good. They give you a card to  swipe through the machines at the grocery, jus&rsquo; like a credit card. It&rsquo;s like, <em>and</em> what, white girl? I got a card too &#8211;  I&rsquo;m just as good as you.&rdquo;</p>
<p>
Somehow I doubt the girls here would agree with their manager&#8217;s assessment of the Merry-Go-Round&#8217;s staffing needs.</p>
<p>
  I doubt I&rsquo;m going to work at this place. But I&rsquo;ve decided to  see if I can at least make enough to put some gas in the car today. I hate  going through my savings. The act of spending money rather than making it, for  the first time in something like ten months, really worries me.</p>
<p>
  They wander into the club while I&rsquo;m in the middle of a set,  and they head right for the stage. They are three guys and a girl. None of them  look much older than I am. </p>
<p>
  It&rsquo;s always a little strange for me when a woman comes in. I  feel like I need to go out of my way to talk to her and try to figure out what  her deal is. Usually she&rsquo;s half of a couple. This one is attractive. A goth  chick or a metalhead from the looks of it. My money&rsquo;s on metal &ndash; she&rsquo;s wearing  black jeans and not very much makeup. She tips me when I dance in front of her.</p>
<p>
  &ldquo;Tell me which one&rsquo;s your boyfriend, and I won&rsquo;t touch him  unless you want me to,&rdquo; I tell her confidently.</p>
<p>
  She laughs. &ldquo;None of them,&rdquo; she says. &ldquo;We all work  together.&rdquo;</p>
<p>
  &ldquo;No kidding.&rdquo; I&rsquo;m surprised. &ldquo;What do you guys do?&rdquo;</p>
<p>
  The girl points to one of her colleagues, a chubby guy with  glasses. &ldquo;He owns the company. J.J., can I give her a business card?&rdquo;</p>
<p>
  J.J. nods his permission. &ldquo;Give her this, too,&rdquo; he says, and  passes her another wad of singles.</p>
<p>
  &ldquo;Thanks,&rdquo; I say to him. He raises his glass at me, his eyes taking in every inch of my body. I look down at their cards. She&rsquo;s A&amp;R for a  record label I&rsquo;ve never heard of. He&rsquo;s the CEO. &ldquo;That&rsquo;s really cool,&rdquo; I  comment. &ldquo;Is it a fun job?&rdquo;</p>
<p>
  &ldquo;Yeah, I like it,&rdquo; she answers.</p>
<p>
  <em>What else is she going  to say in front of the boss?</em> I feel silly for asking the question. An  A&amp;R rep &ndash; of course she likes her job. I clamber back up the pole and do a  trick. The three guys clap politely, and throw more money up on the stage.</p>
<p>
  I should be living in their world, not this one. I wish  there was some way that I could let them know I don&rsquo;t belong here.</p>
<p>
  My set ends. I collect my pile of one-dollar bills and walk  through the club to the dressing room, naked and clutching my dress in front of  my body. </p>
<p>
  After I&rsquo;m finished putting myself back together, I return to  the floor, where a pretty Latina  dancer has taken the stage. I watch her move, staring as hard as any customer  would. My motivations are different. It&rsquo;s not lust for me, not today. I&rsquo;m  trying to picture her dressed. I&rsquo;m trying to imagine what this girl would look  like if she did something else for a living.</p>
<p>
  The Fugee&#8217;s version of &#8220;Killing Me Softly&#8221; comes on. The girl onstage wiggles her ass to it, looking thoroughly bored. I tap my foot automatically and sing along with Lauren Hill.</p>
<p>
  &ldquo;Strummin&rsquo; my pain with his fingers&hellip; Yeah, he was singin&rsquo; my  life with his words&hellip;&rdquo;</p>
<p>
  One of the label guys walks past me on his way to the  bathroom. I continue to sing. I&rsquo;m not sure if he hears me or not. I&rsquo;m not even  really sure that I want him to. His expression never changes, so I assume he didn&rsquo;t.</p>
<p>
  Over the course of the next hour, I do another two sets. I  notice that I&rsquo;m not the only girl who isn&rsquo;t selling private dances &ndash; I haven&rsquo;t  seen anyone actually land one for the whole time I&rsquo;ve been here. I decide not  to finish the shift. </p>
<p>
  The manager is decent enough about it &ndash; what can he really  say, after all? I tried. It feels good to get back into street clothes. I&rsquo;ll  try another club tomorrow, and if necessary, the day after.</p>
<p>
  As I emerge from the dressing room, I see that the A&amp;R  people are also leaving. I&rsquo;m not going out of my way to listen to their  conversation. But I hear it anyway, and I stop cold. They don&rsquo;t notice me standing right behind them.</p>
<p>
  &ldquo;Did you hear that skinny chick caterwauling over the  music?&rdquo; says the guy who walked past me.</p>
<p>
  My stomach drops. He means me. I&#8217;m the skinny chick.</p>
<p>
  &ldquo;That&rsquo;s what you get when you tell people you&rsquo;re A&amp;R,&rdquo;  laughs his boss.</p>
<p>
  &ldquo;Does every stripper on the planet think she&rsquo;s a singer?&rdquo;  the first guy asks.</p>
<p>
  &ldquo;No. Some of them think they&rsquo;re actresses, too,&rdquo; the third  guy says.</p>
<p>
  They all laugh. The only one who doesn&rsquo;t say anything is the  girl. I can&rsquo;t see their faces, so I have no idea whether she agrees or  not. What I do know is that I feel ill.</p>
<p>
  I give the A&#038;R reps a good head start before walking out  to my car. I don&rsquo;t want them to see me in my street clothes. My lower lip  quivers as I fight off tears.</p>
<p>
  Singing is the only thing I&rsquo;ve ever really thought I  was good at. And I guess somewhere in the back of my mind, I always hoped that  when I finally got my shit together, I&rsquo;d be able to do it for a living. I don&rsquo;t  even know what else to aspire to if I don&rsquo;t want this.</p>
<p>
  But what if I&#8217;ve been deluding myself? Maybe I was good  enough to slay the competition in grade school &ndash; was I merely a big fish  in a small pond? These people listen to music for a living. They not only thought I was horrible &ndash; they all had a good laugh about it, too. </p>
<p>
  I hear a set of tires screech somewhere down the block on  the West Side Highway, and a second later, the sound of glass shattering.</p>
<p>
  Perfect, I think to myself bitterly. Somebody upstairs is  making it real clear, all right.</p>
<p>
  It seems appropriate to me that failure has its very own  soundtrack.</p>
<hr />
<p>My teeth start to chatter as I enter my musty, cold apartment. There&#8217;s still no heat in the building &#8211; it&#8217;s been four days now. Barry is bundled up in front of the TV under a mountain he&#8217;s made using every blanket in the house, including mine. He doesn&#8217;t look up when I walk in. I ignore him and go straight to the bedroom, where I plunk my ass down on the bare bed and stare at the wall.</p>
<p>I keep hearing that one guy&#8217;s voice in my head, over and over again like a loop, until I&#8217;m ready to start screaming just so that I can hear something different.</p>
<p>I don&#8217;t know anything about those A&#038;R people. It&#8217;s possible they just don&#8217;t like this kind of music. I have no idea what they&#8217;ve put out on their label, but they can&#8217;t be the final word on good taste, can they? Most people hear me sing and then tell me I&#8217;m great at it. Why would they all lie?</p>
<p>What about Sean? His opinion counts, doesn&#8217;t it? I can think of nothing I&#8217;d like better right now than to jam with someone who likes the way I sing. But Sean&#8217;s at school.</p>
<p>And then I remember the blues band in the subway. Those guys loved me. I never did call up that frontman. I should call him now. </p>
<p>I rummage through my phone numbers. Do I even have his card anymore? That was months ago. He probably won&#8217;t even remember me. But I finally find the card buried all the way on the bottom of the box. Before I can lose my nerve, I dial the number. My hands shake. It&#8217;s ringing.</p>
<p>&#8220;Yeah?&#8221; It&#8217;s a woman&#8217;s voice. She sounds old and not very friendly. When I ask for Chuck, she doesn&#8217;t answer, leaving an awkward pause.</p>
<p>&#8220;Hello?&#8221; I say. &#8220;Is this Chuck&#8217;s number?&#8221;</p>
<p>&#8220;Who this? Why you callin&#8217; my husband? You sellin&#8217; somethin&#8217;?&#8221; </p>
<p>&#8220;What?&#8221;</p>
<p>&#8220;You one of those telemarketin&#8217; people?&#8221;</p>
<p>&#8220;No. I met Chuck at Grand Central, and&#8230;&#8221; I trail off because I&#8217;m nervous. She&#8217;s already put me on the defensive.</p>
<p>&#8220;You met Chuck? When you met him?&#8221;</p>
<p>&#8220;I don&#8217;t know, a while ago. </p>
<p>&#8220;Mm-hmm.&#8221;</p>
<p>&#8220;He said to call him, back when we met. It&#8217;s about his band.&#8221; I sound moronic. &#8220;Is he around?&#8221;</p>
<p>&#8220;No, he ain&#8217;t.&#8221;</p>
<p>&#8220;Oh. Um&#8230; could you tell me when&#8217;s a good time for me to call back?&#8221;</p>
<p>&#8220;Ain&#8217;t no good time. Chuck ain&#8217;t here. Chuck ain&#8217;t gonna be here.&#8221;</p>
<p>&#8220;Oh,&#8221; I say. &#8220;I&#8217;m sorry to bother you, then.&#8221;</p>
<p>&#8220;Mm-hmm,&#8221; she says again. </p>
<p>&#8220;Has he got a new number where I can reach him?&#8221;</p>
<p>&#8220;Honey, you cain&#8217;t reach him. He dead.&#8221;</p>
<p>&#8220;What?&#8221;</p>
<p>&#8220;I said he <em>dead</em>. You unnerstan&#8217;? Chuck dead.&#8221;</p>
<p>There&#8217;s no answer for that and she knows it. I apologize and hang up the phone, dazed.</p>
]]></content:encoded>
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		<title>THIRTY-TWO</title>
		<link>http://www.laurishaw.com/thirty-two/</link>
		<comments>http://www.laurishaw.com/thirty-two/#comments</comments>
		<pubDate>Mon, 13 Apr 2009 15:00:38 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=729</guid>
		<description><![CDATA[&#8220;Hey,&#8221; he addresses me.</p><p>
  &#8220;What?&#8221; I&#8217;m abrupt, already defensive.</p><p>
  &#8220;Baby, what you got to be all the way over there for? I&#8217;m  sayin&#8217; - give me and my peeps some love. We got money.&#8221;</p><p>
  My gaze is suspicious. &#8220;You can&#8217;t just do whatever you want  to me for a damned dollar, you know,&#8221; I assert. </p><p>
  &#8220;How much would <em>that</em> be?&#8221; one wiseass pipes up.]]></description>
			<content:encoded><![CDATA[<p>&ldquo;Here, kitty, kitty!&rdquo; </p>
<p>
  A balled-up dollar bill lands next to one of my stilettos,  followed by a round of hooting and hissing. I hate the way these guys act when  they&rsquo;re here in groups. It&rsquo;s ludicrous &ndash; not one of them would bother to be so  obnoxious if he was in here alone. This time, they are five young Hispanic  guys, perhaps Dominican &ndash; I can&rsquo;t really tell &ndash; all of them slouching too close  to the stage in their wife-beaters and their baggy low-rider jeans with the  boxer shorts hanging out.</p>
<p>
  &ldquo;Oh, <em>mami</em>, <em>mami</em>, come bring me <em>punani</em>,&rdquo; another one chants. I give him what I hope is a withering  look, but he just chortles, sipping his O&rsquo;Doul&rsquo;s with gusto. I&rsquo;ll bet the  dumbass really thinks he&rsquo;s getting drunk.</p>
<p>
  I don&rsquo;t even try to move to this techno beat that Richard  has on. I&rsquo;m cold, pissed off, and way too sober. It&rsquo;s less than halfway into  the shift.</p>
<p>
  I&rsquo;m strapped tonight, of course, and I somehow owe the club  a fifty dollar late fee. I suspect that this fine is retaliatory on behalf of Alannah,  who wasted no time telling everyone we work with that I tossed her ass out onto  the street, leaving her with no place to go. How I ever managed to succumb to  that bitch&rsquo;s convoluted little mind games and come up empty-handed is beyond  me, but that&rsquo;s exactly what has happened. The dog eyes I&rsquo;m getting in the  dressing room from most of the girls who work here say it all.</p>
<p>
  &ldquo;Shake it, meatflaps,&rdquo; I hear one of the would-be O.G.&rsquo;s  saying behind me. I set my jaw hard. I don&rsquo;t deserve this.</p>
<p>
  Ignoring the roughnecks, I climb up the pole and flip  backwards, letting all the blood rush to my head until my ears start to pop. I  do various pole gymnastics for a minute or two while I&rsquo;m completely naked. I&rsquo;m  trying to kill time until this horrific set ends so that I can get offstage and  suck down some vodka.</p>
<p>
  Meanwhile, the vulgar little bastards are growing more and  more rowdy. The catcalls continue, and so do the insults.</p>
<p>
  &ldquo;Choacha!&rdquo; </p>
<p>
  &ldquo;Yo, baby, come on over here and meet Oscar!&rdquo;</p>
<p>
  &ldquo;Show us some coochie! Gotta dolla fo&rsquo; to make you holla!&rdquo;</p>
<p>
  There is more loud laughter. One charming lad stands up and  claps his homeboy on the back. &ldquo;Good one, B,&rdquo; he says.</p>
<p>
  &ldquo;No doubt, no doubt,&rdquo; says his friend, who also rises and  leans over the periphery of the stage. &ldquo;Hey,&rdquo; he addresses me.</p>
<p>
  &ldquo;What?&rdquo; I&rsquo;m abrupt, already defensive.</p>
<p>
  &ldquo;Baby, what you got to be all the way over there for? I&rsquo;m  sayin&rsquo; &#8211; give me and my peeps some love. We got money.&rdquo;</p>
<p>
  My gaze is suspicious. &ldquo;You can&rsquo;t just do whatever you want  to me for a damned dollar, you know,&rdquo; I assert. </p>
<p>
  &ldquo;How much would <em>that</em> be?&rdquo; one wiseass pipes up, but he falls silent when B glares at him.</p>
<p>
  &ldquo;Nah, girl, come on, it&rsquo;s cool, we was just messin&rsquo; wit  you,&rdquo; says B. &ldquo;We came to have a good time. Come on over here and dance for  us.&rdquo;</p>
<p>
  &ldquo;I&rsquo;ll dance for you over here,&rdquo; I say.</p>
<p>
  B pulls a hundred dollar bill out of his wallet and waves it  in the air.</p>
<p>
  Normally I wouldn&rsquo;t fall for such a tactic. But tonight I&rsquo;m  flustered. There&rsquo;s too much going on in my head for me to give this situation  the amount of caution it deserves. I cross the stage and lean down for the  hundred. &ldquo;Yeah?&rdquo; I say.</p>
<p>
  &ldquo;Yeah, that&rsquo;s right,&rdquo; says B, his eyes alive with merriment.  &ldquo;Turn around for me.&rdquo;</p>
<p>
  &ldquo;No.&rdquo;</p>
<p>
  &ldquo;Well, where I&rsquo;m supposed to put it then?&rdquo;</p>
<p>
  His friends punch each other, mumbling approvingly and  egging him on. I tap my garter. &ldquo;You can put it here,&rdquo; I announce.</p>
<p>
  &ldquo;You saw this was a C-note, right, <em>mami</em>?&rdquo;</p>
<p>
  &ldquo;Yeah, and? So what?&rdquo;</p>
<p>
  &ldquo;So ain&rsquo;t you gonna let me put a whole C-note no place  better than on your leg? That ain&rsquo;t special.&rdquo;</p>
<p>
  I sigh. Nobody&rsquo;s ever tipped me a hundred dollars onstage.  It&rsquo;d be nice to be able to say that someone has. Maybe it&rsquo;d make the other  girls respect me more.</p>
<p>
  &ldquo;You can put it between my tits,&rdquo; I say reluctantly. </p>
<p>
  B&rsquo;s friends start to hoot again, and I&rsquo;m immediately sorry  for what I&rsquo;ve volunteered. But it&rsquo;s too late to back down. I cover my breasts  with my palms, and I push them together to create cleavage.</p>
<p>
  B holds up the hundred.&nbsp;  I lean towards him. He puts his fist in between my hands as they lay  over my chest. I try to grab the bill from him, but he won&rsquo;t let it go.</p>
<p>
  &ldquo;Now come on,&rdquo; I tell him, my expression stern.</p>
<p>
  &ldquo;Aw, honey dip, I&rsquo;m just gettin&rsquo; my money&rsquo;s worth,&rdquo; says B.  &ldquo;Spread your legs, baby. Let&rsquo;s see some poontang.&rdquo;</p>
<p>
  &ldquo;That&rsquo;s not part of the bargain,&rdquo; I announce indignantly,  and I pull away.</p>
<p>
  I&rsquo;m not fast enough. B grabs the back of my head with his  other hand and starts trying to shove it down into his crotch. His buddies  cheer. As my palms come off my chest to push on the stage floor for leverage,  one of his friends grabs a handful of tit, while another one of them slaps my  ass. They surround me like brush wolves on a kill. I don&rsquo;t even try to defend  myself against so many men. Instead, I scream.</p>
<p>
  &ldquo;TIM! MAKE THEM QUIT TOUCHING ME OVER HERE!&rdquo;</p>
<p>
  Tim looks over at the stage with little interest, and Ronnie  takes his sweet time strolling up to the scene. By the time he is standing in  front of us, the hooligans have had their fill.</p>
<p>
  &ldquo;Fellas, no touching the girls onstage. Okay? If you do it  again, I&rsquo;ll have to ask you to leave,&rdquo; Ronnie tells them, far too mildly for my  liking. He and B nod at each other in understanding, and then he starts to walk  back to the bar.</p>
<p>
  By now, I&rsquo;m shivering next to the pole on the opposite side  of the stage, climbing back into my handkerchief of a dress, and I&rsquo;m absolutely  livid. Last week, someone touched Brittany  while she was on stage, and she didn&rsquo;t even have to raise her voice. Ronnie  pulled the offender up out of his chair and had him out the door before the  poor wretch was even aware that he was being moved. I&rsquo;ve made these people a  lot of money some nights. At the very least, I warrant the same courtesy from  the club as Brittany does.</p>
<p>
  &ldquo;That&rsquo;s <em>it</em>?&rdquo; I  carp at Ronnie. &ldquo;That&rsquo;s all you&rsquo;re gonna say to him?&rdquo;</p>
<p>
  Ronnie shrugs from across the club. &ldquo;I gave him a warning.  If he does it again, he knows he has to leave.&rdquo;</p>
<p>
  &ldquo;That&rsquo;s bullshit!&rdquo; I exclaim. &ldquo;You&rsquo;re letting these pricks  think they can get away with anything they want to in here!&rdquo;</p>
<p>
  &ldquo;Sweetheart, spare us the &lsquo;woe-is-me&rsquo; act. You&rsquo;re not  fooling nobody,&rdquo; Tim pipes up.</p>
<p>
  Richard has turned the music all the way down, and the house  lights almost all the way up, making an even bigger spectacle of me than is  necessary. He&rsquo;s standing outside the DJ booth, beaming.</p>
<p>
  The other girls, forced to pause mid-lap-dance, shoot me  hostile looks that match the ones their customers are giving me.</p>
<p>
  The homeboys that started it all are now sitting back  against the mirrored wall, all holding the same identically cocky pose. Each  one is slouched all the way down in his chair with his arms folded over a  sweaty chest and a dirty wife-beater.</p>
<p>
  I decide to stand up for myself.</p>
<p>
  &ldquo;Tim, what the hell are you talking about?&rdquo;</p>
<p>
  Tim raises his glass to his lips. He&rsquo;s drinking seltzer  water &ndash; I think.</p>
<p>
  He takes a sip, and then replies, &ldquo;So a customer touches  your precious booby. Innocent little you. He does it onstage, he&rsquo;s a bastid. He  does it in the VIP, you make money. It&rsquo;s not no big deal. And why do you have  your dress on? Your set&rsquo;s not over.&rdquo;</p>
<p>
  &ldquo;Oh, fuck yes, it is,&rdquo; I tell him, and I climb over the rail  and off the stage.</p>
<p>
  &ldquo;What do you think you&rsquo;re doing, missy? A girl has to be on  that stage at all times!&rdquo; Tim yawps.</p>
<p>
  &ldquo;Oh, so some rules are set in stone? While the bend the  other ones any way you feel like?&rdquo; I fume. &ldquo;I don&rsquo;t fucking think so. I&rsquo;m  done. Get someone else down on her knees for you.&rdquo;</p>
<p>
  &ldquo;I am going to fine you an extra fifty dollars for every  minute you are off that stage if you don&rsquo;t get back up there right now!&rdquo; Tim  decrees. &ldquo;You think you&rsquo;re better than everyone else?&rdquo;</p>
<p>
  &ldquo;That seems to be a common theme, so I guess I must,&rdquo; I say.</p>
<p>
  &ldquo;GET BACK UP ON STAGE OR YOU&rsquo;RE FIRED!&rdquo;</p>
<p>
  &ldquo;How on earth do you fire someone who pays <em>you</em> to work?&rdquo; I wonder as I head towards  the dressing room. &ldquo;I don&rsquo;t think you <em>can</em> fire me. I think this is me quitting.&rdquo;</p>
<p>
  &ldquo;What the hell are you doing?&rdquo; Clarissa whispers when I pass  by her on the way to the basement door. &ldquo;You know he&rsquo;s not gonna let you come  back if you leave!&rdquo;</p>
<p>
  This is the first time she&rsquo;s spoken to me in a couple of  months. &ldquo;Piss off, whore!&rdquo; I tell her.</p>
<p>
  I storm downstairs, grab my bag, turn right around and head  back up the stairs. I don&rsquo;t even want to be in this place long enough to change  out of my skimpy costume.</p>
<p>
  On the floor, the music is up once more droning some  colorless techno, and Alannah has taken my place on stage.</p>
<p>
  I muscle my way past the bar, ignoring everyone. I don&rsquo;t  look back once. It&rsquo;s not until I get out the front door that I remember my car  is in the shop. I&rsquo;m not holding enough cash to pay for a cab.</p>
<p>
  I open up the bag to find that my jeans and my coat are  missing. Some bitch went and fucked with my things &ndash; probably Alannah or one of  her friends &#8211; on this night, of all nights. <em>Fabulous.  That&rsquo;s just beautiful.</em> There&rsquo;s no way I&rsquo;m going back inside to further  humiliate myself by asking anyone where my clothes are.</p>
<p>
  It&rsquo;s nearly winter time, it&rsquo;s windy and crisp out here, and  now I&rsquo;m going to have to take the subway home in what amounts to lingerie and  stilettos. At midnight. </p>
<hr />
<p>I try not to think about how cold I am, walking cross-town  for several blocks dressed like a regular streetwalker. Shit, even those chicks  wear jean jackets and legwarmers sometimes.</p>
<p>
  It&rsquo;s warmer when I get down to the subway station, but not  by much. If I was dressed for the weather, of course, I know damned well it  would be sweltering down here. Just not tonight.</p>
<p>
  The station is deserted. I&rsquo;m not sure if that&rsquo;s good or bad.  There&rsquo;s no one around to see me dressed like this, thank God. No cops &ndash; they&rsquo;d  probably arrest me for soliciting if they showed up right now. But I keep  looking behind me anyway, paranoid that someone will materialize. Knowing that  if anyone does, I&rsquo;ll be alone with him and my screams as they bounce off the  walls underground. </p>
<p>
  Finally, after an eternity, I see two tiny dotted headlights  beginning to shine their way around the corner of the subway&rsquo;s passage.</p>
<p>
  A middle-aged man, tall and robust in a suit and a trench,  walks purposefully down the stairs in my direction, looking dead at me. I  shrink against the bench, praying that the train moves faster. He strides  closer. I can see the first car in the distance. I can&rsquo;t hear it yet. He  advances. I look away.</p>
<p>
  The train roars to a stop in front of us. The stranger takes  off his coat, throws it across my lap, and strides through the doors as they  open.</p>
<p>
  By the time I recover from the shock that I&rsquo;m the recipient  of this random kindness, I have to throw my body between those same doors to  keep them from closing in my face. I huddle in the coat, which covers me and  then some. My face is in my hands. I&rsquo;m too ashamed to even look up and thank  the man. When I finally work up the nerve to do it, he is already getting off  at the following stop. He doesn&rsquo;t turn around to look at me again.</p>
]]></content:encoded>
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		<title>THIRTY-ONE</title>
		<link>http://www.laurishaw.com/thirty-one/</link>
		<comments>http://www.laurishaw.com/thirty-one/#comments</comments>
		<pubDate>Mon, 06 Apr 2009 15:00:48 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=725</guid>
		<description><![CDATA[&#8220;You know, you got some nerve, actin&#8217; like you&#8217;re smarter  than everyone else &#8211; like you know what&#8217;s best for anyone. You took me in so  you could feel important. That&#8217;s the <em>only</em> reason.&#8221;</p><p>
  &#8220;Is that what you think?&#8221; I continue to challenge her, but  that last sentence is enough to stop me in my tracks. I&#8217;m not sure what takes  me farther aback. The epiphany itself, or the fact that it came from Alannah.</p><p>
  &#8220;It&#8217;s what I <em>know</em>,&#8221;  she says, tossing her hair so that the new braids shake.</p><p>]]></description>
			<content:encoded><![CDATA[<p>Barry paces back and forth along the living room floor, his  one shoulder sloping. He scowls. We&rsquo;ve both been in variations of the same  position all day. Alannah hasn&rsquo;t been home in more that twenty-four hours. It&#8217;s the longest she&rsquo;s ever been gone without calling.</p>
<p>
  &ldquo;I don&rsquo;t know what you&rsquo;re so upset about,&rdquo; I say. &ldquo;You&rsquo;re not the one missing  keys.&rdquo;</p>
<p>
  &ldquo;Well, if you&rsquo;re missing keys,&rdquo; Barry stops to glare at me,  &ldquo;Then I&rsquo;m missing keys too, ain&rsquo;t I? You know, since you gave my keys to the  chick who stole yours.&rdquo;</p>
<p>
  &ldquo;We don&rsquo;t know that for sure.&rdquo;</p>
<p>
  &ldquo;Oh, come on, angel.&rdquo; He&rsquo;s snide. &ldquo;Where else do you really  think they could&rsquo;ve gone?&rdquo;</p>
<p>
  &ldquo;I called Chloe. I also called everyone from Angels who knows her even a little bit. Girls she doesn&rsquo;t even hang out with. Nobody&rsquo;s seen  her.&rdquo;</p>
<p>
  &ldquo;Somebody&rsquo;s seen her. The chick has places to go. I&rsquo;m  telling you, she has more money than you think she does. And now she has your  keys, too.&rdquo;</p>
<p>
  &ldquo;Why would she do that? She has keys. There&rsquo;d be no reason for her to take mine.&rdquo;</p>
<p>
  &ldquo;Yeah? Well, I&rsquo;ll lay you odds two to one she walks in the  door and those keys walk right back in here with her.&rdquo;</p>
<p>
  &ldquo;That doesn&rsquo;t make sense, Barry.&rdquo;</p>
<p>
  He slaps his hand to his forehead dramatically. </p>
<p>
  I narrow my eyes. &ldquo;What? What the fuck now? <em>What?</em>&rdquo; I want to know.</p>
<p>
  He stalks over to the couch where I&rsquo;m sitting, and he takes  my face in his hands. &ldquo;Listen to me. Okay? Are you listening? Now think. When  is the very last time you saw those keys?&rdquo;</p>
<p>
  I pull my head back. &ldquo;You know goddamned good and well that  it was when we walked in the door yesterday after the salon. I told you that  already, like fifteen times. What I&rsquo;m <em>saying</em> to you is why would she take my keys when she has her own?&rdquo;</p>
<p>
  He chucks me under the chin, roughly. &ldquo;Control, baby.&rdquo;</p>
<p>
  I push his hand from my face. &ldquo;You need to stop touching me now. I&rsquo;m getting really pissed off.&rdquo;</p>
<p>
  He steps back, his eyes on mine. &ldquo;Yeah? What&rsquo;re you gonna do  about it?&rdquo;</p>
<p>
  &ldquo;Oh, DON&rsquo;T even &ndash;&rdquo; </p>
<p>
  The key clicks suddenly in the lock. We both stop abruptly  to stare in the direction of the front door.</p>
<p>
  Alannah&rsquo;s heels smack against the wooden floor as she  casually strolls down the hall. She stops in the doorway when she sees us, and  quickly pastes on a smile that&rsquo;s as false as any I&rsquo;ve ever given to a customer.</p>
<p>
  I gape at her, outraged. Her hair is done in thin, intricate  little blonde box-braids, and it&rsquo;s been cut a few inches. I&rsquo;ve never seen the  big thick hooded coat, the soft gray sweater, or the high-waisted, tight jeans  she&rsquo;s wearing. Because they&rsquo;re all brand new.</p>
<p>
  &ldquo;Hi, mama,&rdquo; she says with the faintest hint of uncertainty  in her voice. I use that uncertainty to pounce.</p>
<p>
  &ldquo;I see you&rsquo;re wearing the rent,&rdquo; I blurt.</p>
<p>
  Alannah&rsquo;s expression darkens. She pauses for a moment before  saying, &ldquo;My friends bought me these clothes.&rdquo;</p>
<p>
  &ldquo;Sure they did. Alannah, have you seen my house keys? We&rsquo;ve  been looking for them for almost two days.&rdquo;</p>
<p>
  She widens her eyes. &ldquo;Oh, yeah, I forgot to call you and tell  you. They fell into my bag. Here.&rdquo;</p>
<p>
  She reaches into a pocket and I snatch my key ring out of  her hand. &ldquo;Give me your set, too,&rdquo; I tell her.</p>
<p>
  &ldquo;Why?&rdquo;</p>
<p>
  &ldquo;Your shit is packed in those garbage bags by the door, your  dog is tied up in the kitchen, and I&rsquo;m not even gonna dignify that question  with an answer.&rdquo;</p>
<p>
  Alannah saunters over to me and gets very close. Her stance  feels threatening. I flinch automatically.</p>
<p>
  She cackles, and turns away. &ldquo;Yeah, that&rsquo;s what I thought.&rdquo;</p>
<p>
  I leap off my perch and move towards her. &ldquo;Ex<em>cuse</em> me?&rdquo;</p>
<p>
  She swivels around again, looking amused and unruffled. &ldquo;You  think I didn&rsquo;t see this one comin&rsquo;, ma? You think I don&rsquo;t know why you wanted  me to live with you in the first place?&rdquo;</p>
<p>
  I can feel my heart rate jump up a few notches while an  adrenaline blush spreads over my skin. It&rsquo;s that smirk of hers that&rsquo;s driving  me crazy right now. I want to slap it off her wicked little face. </p>
<p>
  &ldquo;And why is that? Since clearly, you know everything,&rdquo; I ask her.</p>
<p>
  I know I&rsquo;m feeding into this, but I can&rsquo;t help myself &ndash; it&rsquo;s  been a long time coming.</p>
<p>
  &ldquo;Oh, please, mama, everybody knows about you. You don&rsquo;t give  a fuck about me. You don&rsquo;t give a fuck about anyone but yourself.&rdquo;</p>
<p>
  &ldquo;Oh, yeah, right! That&rsquo;s fantastic!&rdquo; I exclaim angrily.  &ldquo;Coming from the girl who rides everyone&rsquo;s coattails back and forth through the  underworld, the word, ladies and gentlemen, is that <em>I&rsquo;m</em> fuckin&rsquo; selfish!&rdquo;</p>
<p>
  With this last statement, I glance over at Barry for support,  but he&rsquo;s just standing quietly against the wall watching us.</p>
<p>
  &ldquo;You know, you got some nerve, actin&rsquo; like you&rsquo;re smarter  than everyone else &ndash; like you know what&rsquo;s best for anyone. You took me in so  you could feel important. That&rsquo;s the only reason.&rdquo;</p>
<p>
  &ldquo;Is that what you think?&rdquo; I continue to challenge her, but  that last sentence is enough to stop me in my tracks. I&rsquo;m not sure what takes  me farther aback. The epiphany itself, or the fact that it came from Alannah.</p>
<p>
  &ldquo;It&rsquo;s what I know,&rdquo;  she says, tossing her hair so that the new braids shake.</p>
<p>
  &ldquo;Do you even have any <em>idea</em> how much money I have spent &#8211; and lost &#8211; since you showed up?&rdquo; I ask.</p>
<p>
  Alannah accosts me. Now we are facing each other down. &ldquo;Who  asked you to?&rdquo;</p>
<p>
  &ldquo;I want you&hellip; to take your things&hellip; and get the fuck out of my  house,&rdquo; I say, looking her firmly in the eye.</p>
<p>
  She laughs. &ldquo;Take it easy, you dumb bitch. I&rsquo;m going. I got  better places to be than this.&rdquo;</p>
<p>
  &ldquo;DON&rsquo;T YOU <strong><em>EVER</em></strong> CALL ME DUMB!&rdquo; I bellow, and I  shove her.</p>
<p>
  &ldquo;DON&rsquo;T FUCKIN&rsquo; TOUCH ME, DYKE!&rdquo; she hollers in response,  backhanding me once across the face.</p>
<p>
  I snarl like an animal and start blindly throwing punches.  Most of my blows don&rsquo;t connect, but at least I&rsquo;m able to block hers as well.  I&rsquo;m trying to make a grab for her hair. The worst part is, none of  the hits I land seem to disturb her at all. I&rsquo;m wearing myself  out, so angry I&rsquo;m nearly crying, and I can&rsquo;t even put a hurting on this stupid  cunt.</p>
<p>
  She knocks me down. I bring her with me. Then we are  grappling with each other on the floor in a manner that curiously resembles the  day I made her come through her pants with my vibrator. It&rsquo;s the same kind  of energy.</p>
<p>
  Our combined, seething rage carries a strange voracity.  It&rsquo;s confusing, frustrating, and for me it culminates in the peculiar resentment that seems to go hand in hand with being attracted to women in the  first place. I have time to think that maybe all our customers are on to  something. But mostly I don&rsquo;t think at all. Instead, I give in to the urge to  conquer. The spoils of the match are less important than the fury that pulses  through every breath. When I finally do get a handful of her hair, she&rsquo;s also  got her hands in mine. Our faces are close together. Her lips, those pretty  ones that I kissed without a drop of reciprocation, are curled and sneering  now. She thinks I&rsquo;m a joke.</p>
<p>
  Barry has been standing over us the whole time trying to get  his arms in between us, saying, &ldquo;Take it easy! Cut that shit out!&rdquo; Somehow, he  is finally able to separate us, and he drags me backward.</p>
<p>
  &ldquo;This is completely ridiculous,&rdquo; he scolds, tightening his  grip on me as I try to pull away so that I can charge Alannah again. He throws  me onto the couch, where I land hard. </p>
<p>
  &ldquo;KEEP FUCKING STILL!&rdquo; Barry shouts at me.</p>
<p>
  Alannah is already standing up and dusting herself off.  &ldquo;You&rsquo;re gonna pay me if you ripped my new coat,&rdquo; she says from across the room.</p>
<p>
  &ldquo;I&rsquo;ll tear you and your stupid coat to shreds,&rdquo; I pant from  the couch, and Barry shakes me so hard that my teeth rattle.</p>
<p>
  &ldquo;FOR CHRIST&rsquo;S SAKE!&rdquo; he yells into my face, and I turn my  head to avoid his rancid breath. &ldquo;Everybody just calm the fuck down,&rdquo; he  continues. &ldquo;Alannah already said she&rsquo;s leaving. She can&rsquo;t leave if you won&rsquo;t  let her go.&rdquo;</p>
<p>
  She exits the room to get her dog. &ldquo;C&rsquo;mon, Papi,&rdquo; I hear her  cluck.</p>
<p>
  &ldquo;I did more for you than anyone ever has!&rdquo; I spit in the  direction of the hallway.</p>
<p>
  &ldquo;You did shit for  me,&rdquo; she returns as she passes the room with her puppy in her arms.</p>
<p>
  Barry is holding onto me, forcing me to remain on the couch.  Alannah flings her keys onto the coffee table and licks her lips. &ldquo;See you at  work,&rdquo; she jeers.</p>
<p>
  I hear the garbage bags crunch as she picks them up. The  puppy squeals and whines, the door bangs hard, and then she&rsquo;s gone. Barry  finally does let go of me. I light up a cigarette, blowing the smoke through my nose over tightly pressed lips.</p>
<p>
  After a few hurried drags, I look down at my hands, and notice  without surprise that they&rsquo;re shaking. My chest feels weak, my stomach sick.</p>
<p>
  I address Barry in a low voice. &ldquo;If you&rsquo;re going to say &lsquo;I  told you so,&rsquo; then do me a favor and just keep it to yourself, okay? I don&rsquo;t  need to hear it right now.&rdquo;</p>
<p>
  He gives me a condescending look. I&rsquo;m too tired to call him  on it. I leave him in the living room, choosing to sit on the edge of the  bathtub instead. I tap cigarette ash into the toilet bowl, and I fidget.</p>
<p>
  Why should I bother lending a hand when all anyone ever  seems to do is bite it? What is the point of caring about other people? It&rsquo;s  clear to me that whenever I go out of my way to connect with someone, they  always fuck me over. Or they simply leave. And either way, in the end I always wind up alone with my ambiguous, elastic identity.</p>
<p>
  So perhaps I&rsquo;m better off that way.</p>
]]></content:encoded>
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		<item>
		<title>THIRTY</title>
		<link>http://www.laurishaw.com/thirty/</link>
		<comments>http://www.laurishaw.com/thirty/#comments</comments>
		<pubDate>Mon, 30 Mar 2009 15:00:08 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=722</guid>
		<description><![CDATA[ “You know she has more money than she lets on, don’t you? She’s playing you like a fiddle.”

“Barry, just stop.”

“Hey, I just don’t want to see you get hurt, that’s all. Look how many of these whores have burned you already.”]]></description>
			<content:encoded><![CDATA[<p>&ldquo;Wait&hellip; just hold on,&rdquo; I say into the receiver. I get up to  close the bedroom door so that I can actually hear what Dahlia is trying to  tell me. &ldquo;Barry, turn the fucking TV <em>down!</em>&rdquo;  I yell into the hallway, before slamming the door hard enough to break the  molding. Splinters of wood and paint tumble to the floor.</p>
<p>
  I throw myself across the bed. My mood is pretty black today.  I&rsquo;m tired and cranky. I haven&rsquo;t made decent money in a few weeks. It&rsquo;s just  after noon in early November. From  what I can see out the window, the weather outside is gray and uninviting.</p>
<p>
  &ldquo;I&rsquo;m sorry, hon. You have to start over.&rdquo;</p>
<p>
  &ldquo;I&rsquo;m leaving at the end of the week,&rdquo; she says.</p>
<p>
  &ldquo;This week?&rdquo;</p>
<p>
  Dahlia has mentioned her move to me before, but it still  feels like it&rsquo;s happening really fast. It makes me sad. Although we&rsquo;ve only  hung out a handful of times, Dahlia is the only person left at the club that I  feel close to.</p>
<p>
  Clarissa and I don&rsquo;t ever talk anymore. I don&rsquo;t know exactly  what she told that boyfriend of hers about me, her and Mitchell. But I can guess.  Anthony threatened to leave her if she ever spoke to me again.</p>
<p>
  &nbsp;&ldquo;Yeah. This week,&rdquo;  Dahlia says. &ldquo;I got rid of most of the furniture already. I&rsquo;m boarding the  plane on Friday.&rdquo;</p>
<p>
  &ldquo;Damn it, girl, I&rsquo;m gonna miss you. Are you sure you have to  do this? L.A. is no place to kick  dope.&rdquo;</p>
<p>
  &ldquo;New York is  even worse. I&rsquo;m not making money here, and it&rsquo;s getting cold. I think the  climate there is better for me. Plus, if it really comes down to it, I can move  back in with my parents.&rdquo; She pauses. &ldquo;So do you wanna come over and say  goodbye?&rdquo;</p>
<p>
  &ldquo;Yeah, how&rsquo;s Thursday?&rdquo; </p>
<p>
  &ldquo;Thursday&rsquo;s fine. Hey&hellip; are you holding at all?&rdquo; she wants to  know.</p>
<p>
  &ldquo;I could be. I&rsquo;ll make a couple calls. How about you? Make  me a swap. Or we could both throw something in.&rdquo;</p>
<p>
  &ldquo;Sure.&rdquo;</p>
<p>
  &ldquo;Okay. I&rsquo;ll see you, then,&rdquo; I say, and hang up.</p>
<p>
  I lie on the bed staring at the ceiling. I&rsquo;m pretty  fried. It&rsquo;s been nuts here twenty-four-seven.</p>
<p>
  This apartment isn&rsquo;t big enough for so many bodies. I&rsquo;m  really stressed out all the time. And that&#8217;s because I&rsquo;m the only one paying for anything.</p>
<p>
  I&rsquo;ve stopped doing any &ldquo;extras&rdquo; in the VIP room. Why  should I be so flexible with my boundaries? Alannah doesn&rsquo;t even bother lap  dancing to earn her keep. But I&rsquo;ve been losing customers left and right to Sloane,   Brittany, Natasha, and all the other girls  who have fewer scruples.</p>
<p>
  To compensate, I&rsquo;ve been spending everything I do make. I buy pot, coke, acid, mushrooms, ecstasy, and sometimes heroin. In addition  to these indulgences, which take place on my own time, I&rsquo;m usually drunk at  Angels before the middle of every shift.</p>
<p>
  Alannah has been spending a lot of her time out, presumably  at Chloe&rsquo;s place on the Upper West Side. Their friendship  appears to have cropped up pretty recently. Up until a few weeks ago, I don&rsquo;t  think I ever saw them speak to each other. Now they&rsquo;re practically inseparable.</p>
<p>
  Chloe and her boyfriend do a lot more coke than I do &ndash; which  I have to say is often quite a feat &#8211; and I have a feeling Alannah is hot on  the heels of their excess.</p>
<p>
  Alannah has been getting on my last nerve. It&rsquo;s as if she&rsquo;s  doing it on purpose. She lets that nightmare of a dog she&rsquo;s got run all over my  apartment. She&rsquo;s rarely home, so I usually have to feed him. And she still  hasn&rsquo;t lifted a finger to paper train the little beast. She yeses me to death every time I  tell her to leave him in the kitchen. Then she &ldquo;forgets&rdquo; to lock him up.</p>
<p>  She also borrows my clothes on a regular basis without  asking, like an evil kid sister. They&rsquo;re all too tight for her and she returns  them stretched out &#8211; or worse. A few days ago, she went on a date with Roy  and arrived the next morning wearing my best pair of jeans.  The new ones that I hadn&#8217;t even gotten to wear yet. They were  stained with his jizz.</p>
<p>
  &ldquo;He didn&rsquo;t even make me come,&rdquo; she sulked. &ldquo;And he has a  small dick, did I tell you that? Sometimes I really miss Blue Eyes.&rdquo;</p>
<p>
  When she said that, I grabbed my jeans, walked into my  bedroom and slammed the door. Then I whipped an empty vodka bottle out the  window and into the street before I could quell the desperate urge to shatter  something. Luckily the street was empty.</p>
<p>
  Now, Barry breaks my reverie by walking in without knocking. He starts rummaging around on my nightstand, looking for cigarettes.</p>
<p>
I sigh with exasperation. &ldquo;We don&rsquo;t have any more.&rdquo;</p>
<p>
  &ldquo;Give me money. I&rsquo;ll go get some,&rdquo; he says.</p>
<p>
  &ldquo;I don&rsquo;t have any  money on me, Barry. You&rsquo;re gonna have to wait until I go to the ATM.&rdquo;</p>
<p>
  &ldquo;Not working tonight?&rdquo;</p>
<p>
  &ldquo;I&rsquo;m fucking beat. I&rsquo;m gonna get a note from the croaker  down the block, maybe take the rest of the week off.&rdquo;</p>
<p>
  &ldquo;He&rsquo;s not a <em>croaker</em>,&rdquo;  Barry says. &ldquo;He&rsquo;s never given you a &lsquo;scrip for anything good.&rdquo;</p>
<p>
  &ldquo;Whatever. I hate it when you correct me.&rdquo;</p>
<p>
  &ldquo;Give me the ATM card.&rdquo;</p>
<p>
  &ldquo;Jesus, Barry, can&rsquo;t you wait?&rdquo;</p>
<p>
  He groans, and sits down on the bed. </p>
<p>
  &ldquo;Where&rsquo;s Alannah?&rdquo; I mutter. &ldquo;Ask her if you can borrow five bucks.&rdquo;</p>
<p>
  &ldquo;Blood from a stone,&rdquo; Barry says.</p>
<p>
  I shrug. &ldquo;Get a job?&rdquo;</p>
<p>
  &ldquo;This one&rsquo;s full time, baby.&rdquo;</p>
<p>
  &ldquo;Barry, I&rsquo;m not your job.&rdquo;</p>
<p>
  He rolls his eyes. &ldquo;How long are you gonna let that girl  take advantage of you, anyway?&rdquo;</p>
<p>
  &ldquo;Oh, come <em>on</em>! Quit  pushing my buttons today. I&rsquo;m not in the mood.&rdquo;</p>
<p>
  &ldquo;She has you figured out, all right.&rdquo;</p>
<p>
  I stand up. &ldquo;What are you babbling about?&rdquo;</p>
<p>
  &ldquo;You know she has more money than she lets on, don&rsquo;t you?  She&rsquo;s playing you like a fiddle.&rdquo;</p>
<p>
  &ldquo;Barry, just stop.&rdquo;</p>
<p>
  &ldquo;Hey, I just don&rsquo;t want to see you get hurt, that&rsquo;s all.  Look how many of these whores have burned you already.&rdquo;</p>
<p>
  He scratches his chin, then his neck, then his back. When  was the last time he showered? I decide that I don&rsquo;t really want to know. I&rsquo;ve  seen him go without one for as long as three weeks.</p>
<p>
  &ldquo;Alannah doesn&rsquo;t have any money. I see her at work every  night. She doesn&rsquo;t make any,&rdquo; I say.</p>
<p>
  &ldquo;I don&rsquo;t buy it. Even if she only makes a hundred bucks &ndash;  hell &ndash; <em>seventy-five</em> &#8211; a night, she  can afford to contribute here. Has she paid you for the clothes yet?&rdquo;</p>
<p>
  The irony that he&rsquo;s the one voicing this stuff appears to be  totally lost on him.</p>
<p>
  &ldquo;She&rsquo;s still paying off the dog,&rdquo; I answer.</p>
<p>
  &ldquo;Yeah, that&rsquo;s what I thought. Think about this for a second:  she has no money for food, clothes, or rent. But she can afford to buy a thousand dollar dog?&rdquo;</p>
<p>
  I&rsquo;m silent. The fucking deadbeat has a point.</p>
<p>
  &ldquo;She doesn&rsquo;t respect you at all,&rdquo; he continues. &ldquo;Ever notice  the way she sneers at you whenever you talk to her?&rdquo;</p>
<p>
  I exhale, falling back down on the mattress. &ldquo;Barry, I don&rsquo;t  want to deal with this right now. I think I&rsquo;m gonna go to the salon, get my  hair trimmed, and maybe get a massage. Are you coming with me?&rdquo;</p>
<p>
  He shrugs. &ldquo;If you buy me a pack of cigarettes.&rdquo;</p>
<p>
  I look around the room. The place is a mess, and I&rsquo;ve been  too tired to clean up. I&rsquo;m still not sure exactly what Barry does all night  when Alannah and I are at the club. It certainly isn&rsquo;t housework.</p>
<p>
  &ldquo;Come on,&rdquo; I agree, getting up off the bed. &ldquo;Hey, it&rsquo;s quiet  out there. Did she come home yet?&rdquo;</p>
<p>
  Barry shakes his head. &ldquo;Just say the word and I&rsquo;ll search  her bag,&rdquo; he offers.</p>
<p>
  &ldquo;<em>No</em>, Barry!  Christ!&rdquo;</p>
<p>
  &ldquo;I&rsquo;m just saying.&rdquo;</p>
<p>
  &ldquo;Can we just go, please?&rdquo; I groan.</p>
<hr />
<p>When we return home, we are locked out of the apartment.</p>
<p>
  I jiggle the handle on the door incredulously. There is a  second deadbolt, but it never gets used because nobody has the key for it. It  only locks from the inside.</p>
<p>
  &ldquo;What the fuck?&rdquo; I  exclaim, pounding heavily. I can hear music coming from inside the place. &ldquo;Alannah!&rdquo;  I shout.</p>
<p>
  &ldquo;What did I tell you?&rdquo; Barry remarks, not seeming the least  bit disturbed.</p>
<p>
  &ldquo;Shut up, will  you? &hellip; ALANNAH!&rdquo;</p>
<p>
  I throw my body against the door, once, twice, then again. <em>Right</em>. As if ninety pounds of soaking  wet fury, no matter how passionate it is, will push a tenement door off its  hinges.</p>
<p>
  When the door abruptly opens, I almost fall into the  apartment.</p>
<p>
  &ldquo;Oh, hey, ma. I didn&rsquo;t hear you come home,&rdquo; Alannah says  innocently. I walk past her into the hallway, where I drop my shopping bags in  a heap next to the hall closet. </p>
<p>
  Her expression is impassive, and I struggle to match it with  my own.</p>
<p>
  &ldquo;Would you&hellip; please&hellip; turn&hellip; down&hellip; the music,&rdquo; I quietly  articulate. My tone is dry. I&rsquo;ve had just about enough.</p>
<p>
  Her little rat dog runs out from my bedroom, yapping, and  nips at my ankles. Alannah goes into the living room to switch off the radio. I  pick up her dog by the scruff of the  neck. He whines. I drop him savagely over the gate and onto the kitchen  floor. Then I follow her into the living room. In the eerie quiet that has just  replaced all that loud meringue music, my voice sounds to me like it is echoing  off the walls.</p>
<p>
  &ldquo;Planned Parenthood called,&rdquo; I say, changing the subject. </p>
<p>
  She looks at me blankly.</p>
<p>
  &ldquo;They have your test results,&rdquo; I tell her. </p>
<p>
  She doesn&rsquo;t say anything.</p>
<p>
  &ldquo;For the HIV test? Remember? You can pick them up any day  this week. I&rsquo;ll drive you down there if you want.&rdquo;</p>
<p>
  Alannah stares out the window. </p>
<p>
  &ldquo;So what day are we going?&rdquo; I ask.</p>
<p>
  &ldquo;I dunno.&rdquo;</p>
<p>
  &ldquo;What do you mean, you don&rsquo;t know?&rdquo;</p>
<p>
  &ldquo;I ain&rsquo;t gonna die anytime soon,&rdquo; Alannah says. </p>
<p>
  My jaw drops. &ldquo;Are you fucking serious?&rdquo;</p>
<p>
  &ldquo;I don&rsquo;t wanna know, okay?&rdquo; she says irritably. &ldquo;So just  forget it.&rdquo;</p>
<p>
  &ldquo;Whatever, then. Suit yourself,&rdquo; I snap, turning to walk out  of the room. &ldquo;Barry, run me a hot bath,&rdquo; I call out.</p>
<p>
  &ldquo;Aren&rsquo;t we going to work soon?&rdquo; Alannah protests.</p>
<p>
  I stop. &ldquo;Alannah, I&rsquo;m not going to work tonight. I think I  may be coming down with something.&rdquo;</p>
<p>
  &ldquo;You mean I have to take the subway?&rdquo; she asks. &ldquo;By myself?&rdquo;</p>
<p>
  &ldquo;If you&rsquo;d like, I can send Barry to go with you,&rdquo; I tell  her.</p>
<p>
  She does sneer.  Well I&rsquo;ll be goddamned &ndash; in my own apartment, even. Fucking Barry was right. </p>
<p>
  &ldquo;No, ma, that&rsquo;s okay. I can get there all right, I guess.&rdquo;</p>
<p>
  &ldquo;Good.&rdquo;</p>
<p>
  She turns her back on me and starts folding clothes, moving  them from her duffel bag to plastic bags, and then placing the plastic bags back  into the larger bag. It looks like she&rsquo;s found herself some busy work so that  she won&rsquo;t have to talk to me.</p>
<p>
  &ldquo;Alannah, why was the door locked?&rdquo; I ask.</p>
<p>
  She whips her head around again to look at me. In her eyes,  I can see a hatred that&rsquo;s barely contained.</p>
<p>
  &ldquo;I don&rsquo;t know,&rdquo; she says evenly. &ldquo;Must&rsquo;ve been an accident.&rdquo;</p>
<p>
  She&rsquo;s well aware that I know she&rsquo;s full of shit. It&rsquo;s like  she&rsquo;s taunting me with it. </p>
<p>
  &ldquo;Was it an accident that your dog was running loose in the  apartment, too?&rdquo; I persist.</p>
<p>
  She doesn&rsquo;t answer me, and continues to fold her dresses.</p>
<p>
  &ldquo;Come on, Alannah, this isn&rsquo;t about me. This is about all of  us. This is about not having to step on nasty, bloody dog shit in every single  room. This is about my cats not catching something from your dog. It&rsquo;s unsanitary  and disgusting. We all live here.&rdquo;</p>
<p>
  She mutters something inaudible under her breath.</p>
<p>
  I lean closer. &ldquo;Care to repeat that?&rdquo; </p>
<p>
  &ldquo;I said that we all live here, but everything always has to  be your way,&rdquo; she says.</p>
<p>
  I want to punch this bitch in the face.</p>
<p>
  &ldquo;Of course it&rsquo;s  going to be my way!&rdquo; I bark. &ldquo;I&rsquo;m the only person bringing in any money! Didn&rsquo;t  we say that if you were here for more than a month, you&rsquo;d start paying rent?&rdquo;</p>
<p>
  Alannah zips up her bag, and slips into her coat. &ldquo;You know I don&rsquo;t have the money.&rdquo;</p>
<p>
  &ldquo;Hey, you know, you could have paid me before you bought the damned dog,&rdquo; I say.</p>
<p>
  She walks past me. &ldquo;You asked me to move in, remember? You  wanted me here. And you&rsquo;re the one who told me I should have a pet.&rdquo;</p>
<p>
  &ldquo;That&rsquo;s not exactly&hellip; I mean, <em>Jesus</em>, Alannah!&rdquo;</p>
<p>
  &ldquo;I&rsquo;m going to work,&rdquo; she says, and strolls out the  still-open front door, her keys jangling. </p>
<p>
  The door slams behind her, but not hard enough for me to  tell whether she slammed it on purpose.</p>
]]></content:encoded>
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		<title>TWENTY-NINE</title>
		<link>http://www.laurishaw.com/twenty-nine/</link>
		<comments>http://www.laurishaw.com/twenty-nine/#comments</comments>
		<pubDate>Mon, 23 Mar 2009 15:00:41 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=249</guid>
		<description><![CDATA[&#8220;What if I have AIDS, Tim?&#8221; Alannah moans.</p><p>
  &#8220;He&#8217;s just lying about it to scare you,&#8221; Ronnie says.  &#8220;Don&#8217;t even let him fuck with your head. Just go get tested.&#8221;]]></description>
			<content:encoded><![CDATA[<p>It&rsquo;s five minutes to eight. Thirty girls are  crammed into the dressing room. We&rsquo;re all trying to get into costume before the  clock strikes fines for everyone. Suddenly, the door at the top of the stairs  bangs shut so loudly it echoes. Alannah comes running into the basement,  sobbing uncontrollably. She falls into Anisa&rsquo;s arms.</p>
<p>
  Everything stops. All the girls stare at Alannah. They  surround her.</p>
<p>
&ldquo;What happened, ma? What&rsquo;s wrong?&rdquo; they ask.</p>
<p>
  Tim waddles down the stairs with Ronnie right behind him.  Usually they don&rsquo;t come into our dressing room. This is a big deal.</p>
<p>
  &ldquo;We got rid of him,&rdquo; Tim tells her. &ldquo;Don&rsquo;t worry about it.&rdquo;</p>
<p>
  Alannah wails into Anisa&rsquo;s shoulder. &ldquo;He said &ndash; he said&hellip;&rdquo;</p>
<p>
  &ldquo;What, ma? What&rsquo;d the<em> pendejo</em> say to you?&rdquo; Anisa asks.</p>
<p>
  &ldquo;He said he got tested! He said he&rsquo;s HIV positive! He told  me he has <em>AIDS! </em>And I have it, too!&rdquo; </p>
<p>
  Tim uses his bulk to clear a path through the  well-meaning girls. He puts his arms around Alannah. I&rsquo;ve never seen Tim  affectionate with anyone. Guess there&rsquo;s a first time for everything.</p>
<p>
  &ldquo;All right,&rdquo; he consoles her softly in his hoarse brogue.  &ldquo;No one here&rsquo;s gonna let anything happen to you. He&rsquo;s not gonna be back.&rdquo;</p>
<p>
  &ldquo;What if I have AIDS, Tim?&rdquo; Alannah moans.</p>
<p>
  &ldquo;He&rsquo;s just lying about it to scare you,&rdquo; Ronnie says.  &ldquo;Don&rsquo;t even let him fuck with your head. Just go get tested.&rdquo;</p>
<p>
  &ldquo;Alannah, we can go to Planned Parenthood tomorrow,&rdquo; I say.  &ldquo;We&rsquo;ll both go get tested. It&rsquo;s about that time for me, too.&rdquo;</p>
<p>
  &ldquo;There, see?&rdquo; Tim rubs her back, and she stops crying. </p>
<p>
  He looks around the room. &ldquo;Okay, girls, show&rsquo;s over. It&rsquo;s five past eight. I want everyone upstairs.&rdquo;</p>
<p>
  Ronnie wordlessly returns to his post, and the girls begin  to file out and up the stairs. Tim grabs my arm.</p>
<p>
  &ldquo;Hold on there, missy.&rdquo;</p>
<p>
  I stop. When the three of us are alone, he continues.</p>
<p>
  &ldquo;So you&rsquo;re gonna make sure you get Alannah to a clinic  tomorrow?&rdquo; he asks, looking at me.</p>
<p>
  &ldquo;That&rsquo;s a done deal,&rdquo; I assure him.</p>
<p>
  &ldquo;How long before the results?&rdquo;</p>
<p>
  &ldquo;I don&rsquo;t know. A week or two, I think.&rdquo;</p>
<p>
  &ldquo;You ladies gonna be able to work in the mean time? If Alannah  needs time off, I already told her she can have it.&rdquo;</p>
<p>
  &ldquo;Can we get back to you on that one?&rdquo; I ask.</p>
<p>
  &ldquo;I can work, Tim,&rdquo; Alannah pipes up, glaring at me.</p>
<p>
  &ldquo;Okay, honey,&rdquo; Tim tells her. He squeezes her tightly, and  then lets her go. &ldquo;You change your mind, you just come talk to me.&rdquo; </p>
<p>
  &ldquo;Thanks, Tim,&rdquo; she whispers.</p>
<p>
  &ldquo;And another thing,&rdquo; Tim addresses me.</p>
<p>
  &ldquo;What&rsquo;s that?&rdquo;</p>
<p>
  &ldquo;That boyfriend of yours &ndash; the dirty fella that hangs out  next to the club all night and bothers my bouncers&hellip;&rdquo;</p>
<p>
  <em>Oh, my God. He&rsquo;s got to be shitting me!</em></p>
<p>
  &ldquo;Yeah, what about him?&rdquo; It comes out sounding defiant.</p>
<p>
  &ldquo;That&rsquo;s exactly it. What <em>about</em> him?&rdquo;</p>
<p>
  &ldquo;Excuse me?&rdquo;</p>
<p>
  &ldquo;Where was he tonight when this joker was harassing Alannah  outside the club?&rdquo;</p>
<p>
  I stare into two pairs of accusing eyes &ndash; his and Alannah&rsquo;s  &#8211; and I do the best I can to hold my ground. This is unbelievable. How can any  of this possibly be my fault?</p>
<p>
  &ldquo;I don&rsquo;t have a fuckin&rsquo; clue,&rdquo; I tell them, turning on my  heel and making my way up the stairs with as much dignity as I can muster.</p>
<hr />
<p>We have a full house out here on the floor. The club is  dense with marks on the make. I start hustling right away so I won&rsquo;t have  to think.</p>
<p>
  I&rsquo;m lap dancing on a tubby, middle-aged customer when I  accidentally call him by the wrong name. Probably the name of the guy I danced  on right before him. This happens sometimes, and usually an apology makes it right. But this mark&rsquo;s been quietly hostile, almost combative, since we  began the dance. I guess my lapse is the last straw for him.</p>
<p>
  &ldquo;And we&rsquo;re supposed to believe you&rsquo;re not using us?&rdquo; he says, looking at me like I&#8217;m made of dirt. &ldquo;I want my money back.&rdquo;</p>
<p>
  &ldquo;There are no refunds, pal.&rdquo;</p>
<p>
  &ldquo;I&rsquo;ll tell your manager,&rdquo; he threatens.</p>
<p>
  I laugh hysterically. &ldquo;What do you think this is, Wendy&rsquo;s?  Do it.&rdquo; I start to walk away.</p>
<p>
  &ldquo;Hey, get back here,&rdquo; he exclaims. &ldquo;You owe me money.  I gave you a tip up front!&rdquo;</p>
<p>
  I whirl around. &ldquo;You gave me five lousy dollars, asshole.  The usual tip is twenty.&rdquo;</p>
<p>
  &ldquo;You ripped me off,&rdquo; he complains. &ldquo;The song&rsquo;s not even  over yet.&rdquo;</p>
<p>
  &ldquo;It is for you,&rdquo; I say.</p>
<p>
  I&rsquo;m running out of steam, and it&rsquo;s happening quickly. When I  sleep, I dream about this place. There is no respite anymore. No matter where I  go or what I do, I&rsquo;m always at Angels in one form or another. The boundaries  are all gone.</p>
<p>
  I sit down at the end of the bar, next to Damian and Ronnie.</p>
<p>
  &ldquo;Poor baby, you are so sad all the time,&rdquo; Damian says to me.  I can&rsquo;t tell whether he&rsquo;s genuinely concerned, or just having fun at my  expense, but I&#8217;ll welcome any ear right now &ndash; authentic or otherwise.</p>
<p>
  &ldquo;It&rsquo;s always something,&rdquo;  I gripe. &ldquo;You know what I mean?&rdquo;</p>
<p>
  Damian looks at Ronnie. &ldquo;Some people always seem to have  problems,&rdquo; he says. &ldquo;Why do you think that is?&rdquo;</p>
<p>
  &ldquo;I think that people who always have problems are people who  always make problems for themselves,&rdquo; Ronnie says neutrally.</p>
<p>
  I shoot him a look of pure hatred. I&rsquo;ve got a good reason  for this. Ronnie is detached, he&rsquo;s mean&hellip; and he&rsquo;s right. </p>
]]></content:encoded>
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		<title>TWENTY-EIGHT</title>
		<link>http://www.laurishaw.com/twenty-eight/</link>
		<comments>http://www.laurishaw.com/twenty-eight/#comments</comments>
		<pubDate>Mon, 16 Mar 2009 15:00:19 +0000</pubDate>
		<dc:creator>Lauri</dc:creator>
				<category><![CDATA[Servicing the Pole]]></category>

		<guid isPermaLink="false">http://www.laurishaw.com/?p=246</guid>
		<description><![CDATA[We start to wrestle, gasping and laughing. It turns sort of  savage, with her pinning my arms, her body pressed against mine. She looks at  me dangerously from above. I can&#8217;t quite read the expression on her face.</p><p>
  &#8220;Stop,&#8221; I wheeze. &#8220;Uncle&#8230;&#8221;</p><p>
  &#8220;I ain&#8217;t yer uncle, missy,&#8221; Alannah says. &#8220;See, I got tits!&#8221;  She unbuttons her shirt and sticks them in my face. &#8220;How ya like <em>dem</em> apples, eh? Eh?&#8221;</p><p>
  She slaps the side of my face with a small, taut breast. I  go to bite her.</p><p>
  Instead I take one of her nipples into my mouth.
]]></description>
			<content:encoded><![CDATA[<p>My sleep is broken into pieces of jumbled dreaming that  don&rsquo;t make sense, even to me. When I hear her stir, I open my eyes to discover  that we&rsquo;re alone in my bed together. The room&rsquo;s light is muted. Dusky. The only  sound in the apartment is the steady patter of heavy rain beating the windows  into submission.</p>
<p>
  I slip from under the covers as gingerly as I can. Her eyes  are closed. Her breathing is soft. She looks staggeringly beautiful with her  head on my pillow. I realize with a pang that Barry is right. I <em>am</em> attracted to her.</p>
<p>
  The hot water of the shower wakes me up. I play idly with my  body parts as I wash myself. I touch my hard, flat stomach and run my hands up  to cup my small, round breasts. I slide a palm down my frame once more. Let it  gloss over my hip bone. Curving around, my fingers find the plump lips between  my legs slightly parted and dewy. Sweet fucking Christ&hellip; I want her. </p>
<p>
  In my mind&rsquo;s eye, I can see Alannah&rsquo;s fine ass quivering as  she shakes it onstage at the club. She bends over to show the ring that pierces  the hood of her clit. I want to touch it. Maybe I should get pierced there. I  wish my pubes were as impossibly blonde as hers are. There isn&rsquo;t a spot on her  body that I don&rsquo;t think is a work of art.</p>
<p>
  When I get out of the shower, I towel dry my hair and return  to the bedroom, where I slip into a pair of flannel pajama bottoms. I hunt  everywhere for the top. Maybe it&rsquo;s in the bedclothes. I lift the covers gently,  trying not to wake Alannah. I lean over her to see if my shirt is wedged  between the bed and the wall. And I feel my nipple being pinched between two  fingers.</p>
<p>
  &ldquo;Fuck!&rdquo; I bolt upright. &ldquo;I thought you were sleeping, Alannah.&rdquo;</p>
<p>
  Alannah giggles.</p>
<p>
  &ldquo;Oh, you think it&rsquo;s funny?&rdquo; </p>
<p>
  We start to wrestle, gasping and laughing. It turns sort of  savage, with her pinning my arms, her body pressed against mine. She looks at  me dangerously from above. I can&rsquo;t quite read the expression on her face.</p>
<p>
  &ldquo;Stop,&rdquo; I wheeze. &ldquo;Uncle&hellip;&rdquo;</p>
<p>
  &ldquo;I ain&rsquo;t yer uncle, missy,&rdquo; Alannah says. &ldquo;See, I got tits!&rdquo;  She unbuttons her shirt and sticks them in my face. &ldquo;How ya like <em>dem</em> apples, eh? Eh?&rdquo;</p>
<p>
  She slaps the side of my face with a small, taut breast. I  go to bite her.</p>
<p>
  Instead I take one of her nipples into my mouth. Her whole  body stiffens. She doesn&rsquo;t stop me. I can&rsquo;t tell if she likes it or not. It&rsquo;s hard  to know. She seems nervous but slightly eager. I take advantage of the moment  to push her backwards, roll over on top of her, and pull her pajama top off her  shoulders. I toss it into a corner. I kiss her other breast, flicking my tongue  over her nipple.</p>
<p>
  Her hands come up over my back. Then they stop moving and  she drops them back down to her sides. I run my tongue up from her breasts to  her neck. She turns her head away from me, moaning slightly under her breath.</p>
<p>
  &ldquo;Mama&hellip;&rdquo;</p>
<p>
  &ldquo;Wait, hold on,&rdquo; I whisper, reaching into the drawer of the  nightstand for my vibrator. I climb on top of her and I put my mouth on hers. </p>
<p>
  She doesn&rsquo;t kiss back, but she lets me kiss her. I turn the  vibrator on. I let it buzz over the crotch of her thin pajama pants. She moves  her hips underneath me, back and forth to meet the vibrator.</p>
<p>
  I imagine her clit ring vibrating against the cloth. It&rsquo;s  almost too much. I want to eat her so badly that my own clit throbs. I watch  her writhing underneath my hand, hypnotized. This goes on for a few minutes.  She moans every now and then. Every time her eyes close, she forces them back  open. </p>
<p>
  &ldquo;Let me try,&rdquo; Alannah whispers. She takes the vibrator from  my hand.</p>
<p>
  She runs it over my crotch, looking up at me in a strange  way. I can&rsquo;t tell if she&rsquo;s scared, enjoying herself, or both. I&rsquo;m still on top  of her. She&rsquo;s so tentative that I can barely feel it. I want us to meld into  each other. Body and soul. I want our pants off. I want her tongue between my  legs. I want to come.</p>
<p>
  I snatch the toy away from her and kiss her, hard. I rub it  against her crotch once more. Her hips shoot up quickly to meet the vibration.  She starts writhing again. She gives in. A few more minutes go by, just short  of eternity. Alannah bucks harder and harder.</p>
<p>
  &ldquo;OhhHHHHHHhhhh&hellip;&rdquo; she moans. </p>
<p>
  Her eyes squeeze shut, she tenses all over, and then her  body goes slack with one more involuntary sigh.</p>
<p>
  She&rsquo;s all flushed. She looks incredible.</p>
<p>
  I touch her face. I move to kiss her again.</p>
<p>
  &ldquo;Stop,&rdquo; she says abruptly, pulling away.</p>
<p>
  &ldquo;What? Why?&rdquo;</p>
<p>
  &ldquo;Mama, I ain&rsquo;t no dyke.&rdquo;</p>
<p>
  I sit up, shocked. &ldquo;Neither am I. So what?&rdquo;</p>
<p>
  &ldquo;Just&hellip; no more.&rdquo;</p>
<p>
  &ldquo;Didn&rsquo;t you like it?&rdquo; I accuse. &ldquo;You fuckin&rsquo; came, for God&rsquo;s  sake. I wanna come, too.&rdquo;</p>
<p>
  &ldquo;No, I can&rsquo;t.&rdquo;</p>
<p>
  &ldquo;Alannah&hellip; come on&hellip;&rdquo;</p>
<p>
  If I had a dick, my balls would be the color of her eyes  right now.</p>
<p>
  &ldquo;I said, no more!&rdquo; Alannah leaps out of bed and puts her  shirt on. She looks morose all of a sudden. &ldquo;And don&rsquo;t you go telling no one at  work about this!&rdquo;</p>
<p>
  &ldquo;Is that what you&rsquo;re worried about? I&rsquo;m not gonna tell  anyone.&rdquo;</p>
<p>
  &ldquo;You told one of my customers that I was your girlfriend,&rdquo;  she fumes.</p>
<p>
  &ldquo;Alannah, I say things like that about all the girls, to all  the guys! It&rsquo;s how I make money.&rdquo;</p>
<p>
  &ldquo;Well, don&rsquo;t say it no more about me.&rdquo; She buttons her shirt  and walks out of the room.</p>
<p>
  I&rsquo;m aghast and hurt. She&rsquo;s the one who fucking started it. I throw Barry&rsquo;s nasty  sweatshirt on. I follow her into the living room.</p>
<p>
  &ldquo;Look, I&rsquo;m sorry, okay?&rdquo;</p>
<p>
  She&rsquo;s on the couch, cradling her dog. She doesn&rsquo;t look at  me.</p>
<p>
  &ldquo;I thought you wanted to because you&hellip; &rdquo;</p>
<p>
  &ldquo;Shut <em>up</em>!&rdquo; Alannah  cuts me off. &ldquo;Just leave it alone, okay, mama? It never happened.&rdquo;</p>
<p>
  &ldquo;What are you talking about? It&rsquo;s really no big deal, Alannah.&rdquo;</p>
<p>
  She glares at me ferociously.</p>
<p>
  &ldquo;I <em>said</em>, it never <em>happened</em>. I don&rsquo;t want to talk about it  no more.&rdquo;</p>
<p>
  &ldquo;Okay, but can I&hellip; &rdquo;</p>
<p>
  &ldquo;No!&rdquo;</p>
<p>
  &ldquo;You don&rsquo;t even know what I was about to say,&rdquo; I murmur.</p>
<p>
  &ldquo;I don&rsquo;t care what you were gonna say,&rdquo; Alannah says, her  voice shaking. She turns on the TV and stares blankly at the screen. </p>
<p>
  The front door opens, and Barry walks into the apartment. He  throws his jacket on a chair and tosses a pack of cigarettes onto the coffee  table.</p>
<p>
  &ldquo;A gift, from me to you,&rdquo; he says, bowing. He pauses,  looking at both of us as we rigidly pretend to watch Terminator. It&rsquo;s a movie  he knows I hate. &ldquo;Hey, what&rsquo;s the matter? Did you girls have a fight?&rdquo;</p>
<p>
  &ldquo;Fuck off,&rdquo; I snap at him, and I storm out of the room.</p>
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